Review: A Single Man

A Single Man
Did everyone in the 1960s walk around with perfectly bouffanted hair, expertly lined eyes, a martini glass poised in one hand and a cigarette hanging artfully from the other, chattering about the Cuban missile crisis? We, the modern audience, would like to think so and Tom Ford is only too happy to indulge us. Consequently, A Single Man has an unreal, dreamlike quality to it - this is life through a Vaseline smeared lens, the 1960s as seen in a vintage Vogue magazine.

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