Review: Interstellar

Interstellar
As long as Christopher Nolan continues to exist, do we really need Steven Spielberg any more? Ol' King Noles is doing a darn fine job of delivering mega-bucks events movies with small and personal stories at the core; gigantic, universe-expanding motion pictures anchored by daddy issues, the kind which Beardo used to smash out on a regular basis. Interstellar is the latest Chris Nolan project to take a leaf out of Spielberg's playbook - once upon a time it was a Steven Spielberg project after all - and it bears the hallmarks of both directors: it's an ambitious, challenging sci-fi that takes one small step for blockbuster cinema but ultimately remains accessible to all. All the talk of Kubrick and 2001 is light years off the mark: Interstellar is the kind of space odyssey that has only shameless, monolothic entertainment on the agenda.

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