Antoine Fuqua

News, Reviews & Features
  • The Magnificent Seven

    Movie Review | Ali Gray | 14th September 2016

    If you find yourself staring at the marketing for Sony's The Magnificent Seven thinking 'Who is this for?', then you're not alone: I've just seen it and I still don't know. It is an odd choice for such a straight-laced remake, particularly in the current age of the gender swap but PARTICULARLY because the Seven Samurai trope is the most well-worn story in cinematic history, having been remodelled in various forms over the years. We've enjoyed it in ronin form, as a western, told via science-fiction, remade as comedy and even reinvented with animated insects. They say each new generation deserves their own version of all the classic stories, and I daresay the 2016 adaptation of Magnificent 7 is the version this generation deserves: polished but still remarkably unremarkable.

  • The Equalizer

    Movie Review | Ed Williamson | 25th September 2014

    Waaaaay back in 2012, when everyone was losing their shit over why Tom Cruise was playing Jack Reacher despite being comically ill-suited to the role, I had a few alternative suggestions. The Rock. Daniel Craig. Idris Elba. But it never occurred to me: Denzel Washington. Of course. Denzel bloody Washington. The bloke can turn his hand to anything. Luckily, Hollywood is way smarter than I am, and has set straight this misstep in the form of The Equalizer, with two key differences. One, an increased level of violence and a higher certificate to match. And two, unlike Jack Reacher, it's really very good.

  • Eight posters for The Equalizer, each more boring than the last

    Movie Feature | Ali Gray | 8th September 2014

    It's September, the month when Hollywood lets out a 30-day yawn. Denzel Washington's action thriller The Equalizer is probably the largest studio release this month, but you wouldn't know it to look at its posters: a series of eight one-sheets that feature Denzel Washington, your dad's clothes, a gun and no excitement whatsoever. Can it hurry up and be Halloween soon please?

  • Olympus Has Fallen

    Movie Review | Matt | 16th April 2013

    In the land of boil-in-a-bag movie pitches, the 'Die Hard in a…' concept is king. It sits upon a gun-shaped throne wearing a torn, bloodied white vest, a crown made of bullets and a self-deprecating smile. And with good reason. Finish the sentence 'Die Hard in a…' with any intelligible idea and you have a movie that instantly sounds fucking amazing. Die Hard in a circus? Imagine the possibilities! Die Hard in a lift? Claustrocore-iffic! Die Hard in time? WHY AREN’T I WATCHING THAT RIGHT NOW? Die Hard in the White House? Sure, I'm on board. Why not?