Gemma Arterton
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Posted by
Ali at 23:59 on 29 Sep 2010
Gemma Arterton would like you to know she's more than just a pert pair of buttocks in tight denim hot-pants; she's an actress, don't you know. Win a copy of her latest movie where she proves it, quite well.
Posted by
James at 22:51 on 13 Sep 2010
A frequent idiom of broadsheet reviewers putting pen to paper on the subject of Tamara Drewe is to describe it as a more debauched variant of The Archers, something which is certainly true to an extent, tinged as proceedings are in the cosy trappings of Radio 4 teatime dramas. However, to do so risks dismissing this adaptation of Posy Simmonds' serial as yet another rustic folly laced with the standard Curtisian saccharine associated with most modern British comedy. Instead, director Stephen Frears has produced a film which not only contains the expected biting hyper-sexuality, but also a refreshing streak of bittersweet sincerity.
Posted by
Ali at 18:28 on 07 Sep 2010
Like, maybe she should be wearing some... uh, space hot-pants or something? You're welcome, Sir Ridley.
Posted by
Ali at 16:04 on 22 May 2010
Movie rule of thumb #1: if Jerry Bruckheimer's name is on the poster, check your brain in with your coat. Prince Of Persia is typically undemanding summer blockbuster fare - all SFX and stylish set-pieces, but very little in the way of substance. I'm not complaining. These movies have their place. But if you're making a big, dumb movie that invites you to switch off and enjoy, then don't over complicate the plot - Pirates Of The Caribbean did it and Prince Of Persia does it too. It's a Bruckheimer trait.
Posted by
Matt at 20:53 on 05 Apr 2010
The original Clash Of The Titans is one of those movies that many people remember fondly from their childhood and usually this is reason enough to swear off any kind of remake. This time, however, all eyes seem to be on how modern-day special effects can improve upon Ray Harryhausen's impressive (but, let's be honest, dated) efforts. Well, come out of retirement, Ray - your stop motion techniques are still preferable to soulless CGI and needless 3D.
Posted by
Ali at 23:34 on 17 Oct 2008
Where does a character go once he's been reinvented? Stripped down to the bare essentials, the James Bond of Casino Royale - the 007 that Ian Fleming would have approved of - proved extremely popular with audiences and critics alike, enough for them wipe the slate clean and agree to start afresh. Bond now rebooted, battered phys...