Morgan Freeman

News, Reviews & Features
  • Now You See Me 2

    Movie Review | Becky Suter | 4th July 2016

    Wanna a see a magic trick? Yeah you do. Everyone loves magic. Think of a number between 1 and 5. Multiply it by 9. Add the two digits of your answer together to get a single digit. Subtract 5 from this number. If A is 1, B is 2 etc, find the letter of the alphabet that corresponds to your number. Pick a country that starts with this letter. Now think of an animal that starts with the second letter of that country. Now imagine what colour that animal usually is. By the end of this review, I shall reveal the animal and the country you were thinking of (*pauses for astonished but also mesmerised silence*). But right now, I can tell you’re thinking, "isn’t this a somewhat laboured and overlong opening paragraph for a 3 star film?" You are, aren’t you? (*waves arms*) THAT’S MAGIC (*dead dove drops from sleeve*)

  • London Has Fallen

    Movie Review | Becky Suter | 2nd March 2016

    There are a few questions that spring to mind when watching London Has Fallen, the first one being WHEN ARE THEY GOING TO BLOW UP BIG BEN? The second; is Gerard Butler the luckiest man in show business? And if I’m going to round this out with a third, does Morgan Freeman just have a stock set of scenes of him against a green screen that he flogs to studios? I swear I haven’t seen him interact with another live being for nearly two years now.

  • Lucy

    Movie Review | Ali Gray | 14th August 2014

    In an increasingly formulaic industry, it's rarer now than ever to experience that most simple of pleasures: a movie you can't predict. Lucy is a bizarre mish-mash of ideas - Besson himself says the first third is Leon: The Professional, the middle section is Inception and the final act is 2001: A Space Odyssey - and it gels about as well as you'd expect. It's frustrating in its execution and bafflingly vague where it matters. But, but: just try to second guess it. Even if it falls short in almost every department, Lucy is a fascinating anti-blockbuster that delights in its deficiencies - even the anti-climactic ending is a thrill, just because it's different.

  • Just checking...

    Movie News | Ali | 13th July 2013

    Are we all okay with this? Because I'll be honest, I'm picturing Terrence Howard in a powder wig.

  • Now You See Me

    Movie Review | Matt | 3rd July 2013

    In The Prestige, Michael Caine's Cutter posits that "every great magic trick consists of three parts or acts". You have the 'Pledge', in which the magician shows you something ordinary, the 'Turn', in which he turns that into something extraordinary and the 'Prestige', in which he makes the original item return. Now You See Me does plenty of Pledging and Turning, but fails to win over with the Prestige part. What we have here, is all the wondrous showmanship of a well-performed illusion, followed by the crushing disappointment of reality as our magician explains that it's all down to specially-built rigs and fake props. Except, here, that doesn't even make all that much sense.

  • Olympus Has Fallen

    Movie Review | Matt | 16th April 2013

    In the land of boil-in-a-bag movie pitches, the 'Die Hard in a…' concept is king. It sits upon a gun-shaped throne wearing a torn, bloodied white vest, a crown made of bullets and a self-deprecating smile. And with good reason. Finish the sentence 'Die Hard in a…' with any intelligible idea and you have a movie that instantly sounds fucking amazing. Die Hard in a circus? Imagine the possibilities! Die Hard in a lift? Claustrocore-iffic! Die Hard in time? WHY AREN’T I WATCHING THAT RIGHT NOW? Die Hard in the White House? Sure, I'm on board. Why not?

  • Oblivion

    Movie Review | Ali | 10th April 2013

    Joseph Kosinski made his directorial debut with Tron: Legacy, a movie that boasted the sleek lines of an Apple product with about as much narrative thrust as the iTunes terms and conditions. With Oblivion, his second movie as director and his first as screenwriter, Kosinski keeps the slick, glossy sheen of his sophomore effort (trading black for white) but bolts it onto an involving, expansive sci-fi that asks more of you than simply to ogle its gorgeous curves. Though it shares similarities with many iconic works of science-fiction, including The Matrix, 2001 and one recent movie that would act as a spoiler if I named it, Oblivion nonetheless makes a bold attempt to be remembered on its own terms thanks to a dazzling arrangement of future tech and some truly satisfying plot twists.

  • Films on TV round-up: sins, Sean and cyborgs

    TV Feature | Ed Williamson | 19th June 2011

    I never end up watching any of these myself, you know. But if just one of you finds a new film you come to love after reading these weekly round-ups, isn't it all worth it just for that? Well, no, frankly. It takes fucking ages.

  • RED

    Movie Review | Rob | 25th October 2010

    Think back to The A-Team's tagline: "There is no Plan B". Seeing as RED is the fourth movie this year that features a group of highly-skilled heroes who enjoy banter between gunfights, after The A-TeamThe Losers, and The Expendables, it would seem that not only is there is a Plan B, there's a Plan C and a Plan D as well.

  • Invictus

    Movie Review | Matt | 9th February 2010

    Nelson Mandela is one of those inspirational political figures that makes for great fodder when it comes to Oscar-baiting season. Throw in a stirring account of underdogs rising to their sporting challenge and you have the perfect Academy Award film, right? Maybe, but there is such a thing as 'too much substance over style' and Invictus falls into this trap, ultimately suffering from its own importance.