Sean Harris

News, Reviews & Features

Review: Possum is a horrifying nightmare to make Marenghi proud

Movie Review | Matt Looker | 22nd October 2018

"Who am I? Perhaps you have met me twixt sleep and wake, in the penumbra of uncertainty you call 'unconsciousness'," the great Garth Marenghi once said. "Or perhaps you've met me at a book signing." While the basic set-up of Marenghi creator Matthew Holness' directorial debut could have easily been cooked up by the horror writer/dreamweaver himself, there is no follow-up punchline in sight here. Possum is all demented nightmare fuel filtered through mental instability and emotional repression. Its business is 'chill', impure and simple.

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Discussion: Impossible - Mission: Impossible - Rogue Nation (2015)

Movie Feature | Ali Gray, Matt Looker, Becky Suter, Ed Williamson | 9th August 2018

Timed perfectly to coincide with Fallout's three week anniversary, here is our fifth and final Mission: Impossible catch-up, for Chris McQuarrie's Rogue Nation. Thanks for Reading: Impossible!

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Mission: Impossible - Fallout

Movie Review | Ali Gray | 17th July 2018

Forget the rubber masks and the death-defying stunts: the Mission: Impossible movies' true gimmick is its insistence on hiring a different director for each outing, building a franchise that feels fresh and flavourful with every new installment. Fallout, however, is unique in that it marks the return of Rogue Nation director Chris McQuarrie, the first man to have a second go on Ethan Hunt. The results speak for themselves: what the series' first true sequel trades off in originality, it more than makes up for in dramatic tension and sky high stakes. Rooted deep within the franchise and connecting back to every other M:I movie, Fallout still feels uncomplicated and unbothered by baggage collected over 22 years. It's the most effective execution of the Mission: Impossible formula so far - a heady mix of humour, action and adventure, distilled to its purest form.

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Mission: Impossible - Rogue Nation

Movie Review | Ali Gray | 24th July 2015

Mission: Impossible is the only movie series that's got the measure of franchise fatigue. Some elements remain omnipresent - the star, the stunts, the self-destruction - but with each new M:I instalment helmed by a new director bringing a fresh flavour, it has Bond beat in terms of shelf-life. Rogue Nation, however, is the first entry in the franchise to play it relatively safe, offering a slick and entertaining adventure but one that doesn't feel different enough from Ghost Protocol - perhaps inevitably, given its predecessor's lofty ambitions, Rogue Nation couldn't ever hope to hit the same heights.

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Deliver Us From Evil

Movie Review | Ali Gray | 31st August 2014

Have you ever had your enjoyment of a film completely derailed by a small, insignificant part of that movie? A niggle that becomes a bother than becomes all you can think about? I had that with possession thriller Deliver Us From Evil, a competent, forgettable horror flick from the guy who made Sinister. It's a fairly enjoyable movie, if a little flat and unambitious, but in terms of possession movies starring C-list actors with bad scripts, it's par for the course. Except for one thing. A single sound effect. Which ruins the entire movie.

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Government to use Sean Harris to deter internet porn users

TV News | Ed Williamson | 5th August 2013

In the latest of a string of ruses to stop people looking at porn, David Cameron has successfully lobbied Britain's top internet service providers to use an image of actor Sean Harris as a deterrent.

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Prometheus

Movie Review | Ali | 31st May 2012

For all the talk of Prometheus "sharing the same DNA" as Alien, Ridley Scott's prequel doesn't bear much family resemblance to its granddaddy. The economy of horror that served his 1979 effort so well is replaced by a big-budget, star-gazing sci-fi that wants you to know it has size on its side. Hugely ambitious and staggering in its grand designs, Prometheus is almost hamstrung by the fact it is an Alien movie at all – the mishmash of grotesque body-horror and chin-stroking existentialism does not always make for the most coherent movie, but it is at least an entertaining one and certainly no black mark on the franchise.

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Brighton Rock

Movie Review | Anna | 2nd February 2011

There has to be a very good reason for taking on an adaptation of a beloved book or remaking a classic film - the Coen Brothers doing True Grit makes perfect sense - but I can't fathom the reason for Rowan Joffe reviving Brighton Rock. By any measure it's going to come off badly when compared to Graham Greene's novel or John Boulting's 1947 film. But let's shelve the comparisons for a couple of paragraphs.

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