|Starring||Mel Gibson, Kevin Hernandez, Peter Stormare, Dean Norris|
|Release||11 MAY (UK) Certificate 15|
Thankfully, this isn't a lesson in how a cold-hearted thief goes soft and learns how to love – sure, Gibson's calculated crim grows attached to his new Shortround-esque sidekick (and the boy's mother – wink, wink) but this just shifts his priorities. He is still very much a man with his eye on the prize of breaking free, and he's ruthless in accomplishing that. What makes this film all the more entertaining though is that, with no back story given to Mel's character, we immediately understand that he is a well-experienced, resourceful man, securing a gun and a pot of money early on in his stay at El Majesty's convenience and shooting straight for the top of the food chain (that big gangster type fellow in the dressing gown, puffing cigars).
Perhaps more important is Adrian Grunberg's direction and Benoît Debie's cinematography. Despite serving as assistant director on films such as Man On Fire and Traffic (as well as a few Gibson films), this is Grunberg's first effort as head helmer and it's shot with the kind of gritty authenticity that all films set in Mexican prisons should have by default, while being offset by short bursts of action and Gibson's unmistakeable charm. As a result, it feels true-to-life despite actually behaving like a crime caper, with several story strands interweaving and coming to a head. And it's short. Don't judge me for being relieved at this, but this is a tight, tense thriller that could have easily fallen into flabby territory if was made any longer than its swift 95 minutes.
So well done, Mel. You are good in this film that I saw. Just don't think that this lets you off the hook for all those horrible things you said. You have to make at least two more films as good as this before we forget all that stuff.
|+||Steve Jobs (15)|
|+||The Lady In The Van (12A)|
|+||Fathers And Daughters (15)|
|+||The Hallow (15)|