|Starring||Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Sarah Vowell, Huck Milner, Bob Odenkirk, Catherine Keener, Sophia Bush|
|Release||13 JUL (UK) Certificate PG|
Obviously this film isn’t just about the warm family feels though. With grandly staged action sequences and superpowered fight scenes boosted by rapid-fire inventiveness, The Incredibles still holds its own as one of the best superhero properties in cinema. Here the ante is upped with new tricked out gadgets, including a kick-ass Elastigirl bike, courtesy of Winston’s tech expert sister Evelyn (Catherine Keener), as well as the introduction of some new colourful crusaders, each with their own special abilities. The most entertaining of these is Voyd (Sophia Bush), a shy, nervy young woman with a fan complex for Elastigirl and the power to open teleportation windows from thin air, albeit not always on target.
And of course, there’s a new sinister central villain to contend with; a mysterious nemesis called Screenslaver, who uses TVs and computer screens to hypnotise anyone who might be watching. While this plays into themes of modern-day concerns like mind control propaganda and being glued to screens, it also adds an extra element of danger, as Screenslaver uses his hypnotised victims to do his bidding.
Still, we all know that all the action and superheroics are merely a framework on which to hang the real angle that Brad Bird is concerned with: family. And while the gender role reversal makes for a neat twist to explore, what we end up with are two very separate plots: 'The Secret Super Adventures of Mum' and 'Dad Learns A Lesson'. There’s so little interaction between the Incredible parents in this film, that actually all sense of a family unit is gone. And, as the plots develop and join up for the final act, there’s no major sense of reunion, no satisfying reaction for Mrs Incredible of Jack-Jack’s new powers, and not enough sense that the Incredibles are best when they are all working together as a team.
It sounds like a major complaint, but actually there are so many great gags and action scenes packed into the film, that it’s difficult to pay much notice to this issue. Instead, the film floods us with all the things that made us love the first film. Sometimes, you don’t realise how much effort has been put into world-building until you see another film set in the same world, and with this sequel it’s just a joy to be part of this super-stylised retro-futurist environment again, all scored by Michael Giacchino’s spy-tastic themes. That’s even before you get to moments of sheer brilliance, including one stand-off between a power-exploring Jack-Jack and a raccoon, which is essentially the best Pixar short Pixar never made.
So here’s hoping that the long-term strategy is to produce more films in the Incredibles franchise, because on this basis, there’s plenty more to explore in the superhero family set-up yet. Even if we have to wait another 14 years, by which time all the kids will have become teenagers, and all of us hero parents will have lived long enough to see ourselves become the villain.