|Starring||Simon Pegg, Nick Frost, Seth Rogen, Jason Bateman, Bill Hader, Kristen Wiig, Jeffrey Tambor|
|Release||18 MAR (US) 14 FEB (UK) Certificate 15|
Crucial to Paul's success is the alien himself, which - thankfully - is both well-animated (complete with huge emotive eyes) and well-cast. Hiring Seth Rogen for any role basically ensures that the character disappears into the actor, but this is all part of the gag here - the fact that Paul likes stuff like Marmite and reggae and smoking weed is part of his charm. Some might call it lazy casting, I say it works. At any rate, he always feels like a real, tangible character - there's no danger of the ghost of Jar Jar biting Pegg on the arse. It never once looks like the human cast are staring at a tennis ball on a stick.
While jokes about Star Wars, Steven Spielberg and The X-Files are par for the course for most nerds (hardly big news if you've ever been trapped in a pub corner with one), Paul does lay it on a little thick at times - one last act cameo feels a little like wish fulfilment on the part of Pegg and Frost. In actual fact, most of the movie's best lines are apropos po of nothing ("That's a loud clock, isn't it?"), born out of awkward situations rather than a shared love of sci-fi. Nick Frost's last line is pitch-perfect.
Though the movie's concept is a little sketchy (hardly more substantial than its one-line pitch) and it'll likely be a huge turn-off to anyone who doesn't know what a 'parsec' is, Paul is a big, warm cuddle of a movie - an affectionate love-letter to sci-fi in much the same way that as Hot Fuzz was to cop movies and Shaun Of The Dead was to zombie flicks. Unashamedly gawky, it may lack the polish of the likes of Scott Pilgrim, but it just goes to show that geeks have never had it so good at the movies.
|+||Brawl In Cell Block 99 (18)|
|+||The Death Of Stalin (15)|
|+||Happy Death Day (15)|