Dustin Hoffman

News, Reviews & Features

The Meyerowitz Stories (New and Selected)

Movie Review | Ed Williamson | 16th October 2017

Time was, you could get a bit of a reaction by saying Adam Sandler was a good actor. You'd be the toast of the cognoscenti, lauded for your brave and rare insight, or at the very least one of those professional contrarians who make film Twitter such a rich and challenging environment. These days the evidence is there and the idea's not controversial: everyone knows he can do it when he can be bothered changing out of his tracksuit. Maybe it's time to think of him a bit differently.

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The mystery of the Luck horse-killer

TV Feature | Ed Williamson | 14th March 2012

Horses have been dropping like dead horses over on the set of Luck, leading HBO to cancel the show. With three dead, we ask: who is Luck's on-set horse-killer and when will he strike again?

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Luck - season one, episode 1

TV Review | Ed Williamson | 18th February 2012

The world's gone horse-mental, people. First Spielberg, now Dustin Hoffman. That script gathering dust in your bottom drawer? Stick a horse in it and get it sent out. For we live in a world where the horse is king. It's the rise of the planet of the horses.

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Dustin should be so lucky, lucky, lucky, lucky

TV Video | Ed Williamson | 14th December 2011

Dustin Hoffman's doing telly. The final proof that TV is just as good as films. Either that, or it'll be a bit like watching Daniel Day-Lewis in a nativity play.

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Films on TV round-up: gold heists, sleepless nights and big fights

TV Feature | Ed Williamson | 3rd July 2011

It's Sunday and I've got a hangover. Don't suppose The Hangover's on this week, is it? No? Right, that's that angle fucked, then.

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Barney's Version

Movie Review | Rob | 29th January 2011

"The kind of typically Jewish story that I wouldn't bother reading," said one critic when leaving the screening. I happen to disagree. Yes, Barney's Version is pretty heavy on the Jew thing - there are plenty of mazel tovs, kippahs and Jewfros - and yes, it is based on a book probably few of us knew existed. But don't let one critic's comment put you off, listen to mine instead. This is a clever, sharply-written, well-acted comedy drama with Paul Giamatti at his absolute career best. Pfft, what do critics know anyway?

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