Joker

News, Reviews & Features
  • Review: Joker discovers the magical art of not giving a f*ck

    Movie Review | Becky Suter | 8th October 2019

    To be honest, I had every intention of getting this review done as soon as I’d watched the film on Friday, but then I got distracted by Untitled Goose Game and the rest of the weekend was a bit of a waterfowl blur, to be honest. My waking hours were mainly spent terrorising a small, English village, checking off my to-do list before I grew bored and wanted to fuck shit up, just for the sake of it. I stole goods from a small business and planted them in a man’s garden to frame him for theft for pure lols. I trapped the boy in the garage over and over again, because I thought he was was weak and he didn’t like my honking. Unbound by societal demands, I was liberated; I was free. The poor inhabitants of the village had done nothing to deserve my feathery reign of terror, other than they didn’t like me and therefore, I didn’t like them. By the end of the weekend, had even one villager shown just a morsel of kindness toward me (a piece of bread, perhaps), I would have just honked in their stupid faces, and continued to destroy everything they hold dear. I didn’t set out to be the figurehead of the goose rebellion; they made me that way. Throughout the ages, village elders will tell tales of "The Goose That Hid in a Box, Then Jumped Out and Scared the Lady.” In the early hours of the morning with no more worlds left to conquer, I closed my laptop and remembered I said I was going to do a write-up of Joker, about a marginalised character on the fringes of society who adopts an alter-ego in a downward spiral, and I realised my story had already been told, except it was filmed a lot better and had Joaquin Phoenix in it and not so many geese.

  • Hot take: Martin Scorsese's Joker movie might be good but might also be bad, more as it develops

    Movie Feature | Ali Gray | 23rd August 2017

    Two separate news stories broke in the same news story this morning. First, it was reported that Martin Scorsese would be producing a brand new '80s crime-era origin story for The Joker, with the role recast and the film unrelated to the nascent DC Cinematic Universe. Then, upon further scrutiny, it was discovered in the same report that Todd Phillips would be directing it. Oh. Right. Rough, meet smooth. Depending on how you frame it, this is either a savvy move from DC to decentralise their movie universe by putting legendary filmmaking talent at the centre of it, or it's an act of desperation from a studio who can't settle on a tone and can't even keep an actor interested in a role between one movie and the next. Which opinion is correct? Find out after these messages!