Kevin Costner

News, Reviews & Features
  • Review: The Highwaymen is your dad's new favourite film

    Movie Review | Luke Whiston | 11th April 2019

    I was reading an article today about the cartel leader El Chapo, who is currently in prison for murder, drug trafficking and money laundering, among other things. So beloved is El Chapo, and so cherished his image by the common folk of Mexico, he's been able to launch a fashion line from his cell. It's a curious feature of the human brain that we allow ourselves to be attracted towards these dark figures, hailing them as heroes despite the devastation their crimes have caused. I guess all it takes is a media-friendly mugshot and enough degrees of separation to empathise with someone who would do you harm if you ever crossed them. Back at the start of our modern press age, Bonnie & Clyde were like a prototype of the El Chapo phenomenon; shown a dose of forgiveness due to the romanticism associated with their escapades. The reality was they were killers who needed to be stopped - an inevitability due to the attention they'd brought upon themselves - and the job fell to two middle-aged men, sent criss-crossing endless dusty roads in an olde timey car. But just because there's nothing sexy about that story, does it mean it shouldn't be told?

  • Criminal

    Movie Review | Becky Suter | 12th April 2016

    Everybody looks likes someone or something else in Criminal: Ryan Reynolds looks like a worried owl, Tommy Lee Jones looks like Maz Kanata and Kevin Costner is trying his best to channel Nicolas Cage. Even the film itself is trying to be a Bourne-style thriller, but instead is a weird mishmash of Self/Less and that episode of The Simpsons when Homer has a crayon stuck up his nose.

  • Films on TV round-up: merry men and Merry Christmas

    TV Feature | Matt Looker | 8th January 2012

    Here are your films for this week, the first selection of 2012! Wow, it's like we're in the future and, therefore, all these films represent the very best, cutting-edge, state-of-the-art examples of modern movie-making. Nah, not really - it's all old shit.