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  • Review: The King is a noble effort, if not majestic, rings Hollow, etc.

    Movie Review | Luke Whiston | 20th November 2019

    To my shame as an Englishman I am not well-versed in the works of William Shakespeare. I know the gist of Romeo & Juliet, and that there's a character called Bottom in another one. But if you put me on the spot and told me to write an analysis of The Taming of the Shrew, you'd probably walk in on me on the toilet half an hour later watching YouTube tutorials on how to hypnotise small mammals. Not that I don't appreciate the plays - their effect on the world's culture is undeniable - just beyond my school years I've struggled to find the enthusiasm and time to really get into them. Don't ask me why I can recite Congo word-for-word, though.

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  • Men In Black: International was released and every critic made the same joke

    Movie Feature | Matt Looker | 8th July 2019

    Attention filmmakers! If your movie franchise contains a unique narrative device that also serves as easy ammunition for critics to use in the event of a bad review, don't kid yourselves that they'll rise above it. They'll latch on to that reference like it's a personal gift from you to them. Thank you, they'll say. Thank you for making our jobs and deadlines easy. Because that's what good film reviews should be. Easy.

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  • Review: Murder Mystery commits the crime of not being very mysterious

    Movie Review | Luke Whiston | 25th June 2019

    Shhh the kids are asleep. It's mummy and daddy time now, a chance to do all the things you can't do during the day. Let's make a cup of tea and put on a film. Two hours gone and now it's bedtime. The film was fine. Not good, not bad. Just fine, but more importantly we survived today. Lamp off. Start again tomorrow. One day closer to death. Everything is just fine, and it's not for me to judge that your life has become a static series of achievement-void days spent clockwatching and sometimes not even seeing the sun.

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  • Review: X-Men: Dark Phoenix is an unevolved end to a once super franchise

    Movie Review | Matt Looker | 10th June 2019

    So now the X-Men franchise comes to an end. Since that first ensemble movie was released 19 years ago, the property has launched 12 films (13, if you count the still-to-be-unshelved The New Mutants) and has not only become a staple of the superhero genre in the process, but helped set the template for how to do this kind of movie well. And here we have the last instalment; the final chapter that, surely, the entire saga has been working towards for nearly two decades: a fourth-film reboot set in an alternate timeline remaking the same story from the third film of the original movies. It’s the only conclusion we’ve ever really wanted!

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  • Review: Knock Down The House captures the highs and lows of hope

    Movie Review | Luke Whiston | 15th May 2019

    How can it be that every week feels like the series finale of America? The dumpster fire of Donald Trump's presidency that has engulfed our lives and timelines since 2016 can't be good for the collective psyche, and it's strange to think that a mere three years ago this constant gnashing background noise wasn't the norm. But US politics has measures in place to course-correct, namely a series of midterm elections whereby successful candidates can win a Senate seat, thus increasing their party's reach within Congress. At least that's what I understand from Wikipedia. I live in England, where we bow to whoever has the tallest top hat or the fanciest swan. Before today everything I knew about the American political system I learnt from The Simpsons.

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  • Review: Behind the Curve lets us gawp but doesn't offer any insight

    Movie Review | Luke Whiston | 11th March 2019

    It's so sad to hear about Piers Morgan. Oh, nothing's happened to him. I mean just generally whenever he pops up it makes me feel sad that an adult would cultivate mock outrage in pursuit of attention. We should cut him off so he can disappear forever, but he's harmless really - a fart in the wind - and everyone sees the desperation in his tiny haunted eyes. And he's a coward. To properly grab people's attention nowadays you have to go down the alt-right route like Hopkins and Milo, baring your wretched soul fully in a self-immolating endgame; not have a dig at vegan pastries from the safe space of a colourful sofa. He's a rank amateur. What does this have to do with flat earthers? Well, they're the same thing as Morgan aren't they? Poor deluded fuckers confusing passing glances with validation, convinced they're part of the fabric of reality, when really they're touching cloth.

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  • Leaving Neverland and our need for chaos

    TV Feature | Ed Williamson | 8th March 2019

    In the summer of 2002 Michael Jackson came to Exeter, my hometown, where I was living again having just finished university. In a series of events that are ludicrous in hindsight, some businessmen had bought Exeter City FC out of administration and installed Uri Geller as a co-chairman. Geller duly brought Jackson and David Blaine down for a public appearance, in which they drove round the pitch in an open-topped car with a load of children.

    I didn't go. But I do remember watching it on TV, noting that, despite the hit his image had taken from the Jordy Chandler trial, he was still surrounding himself with children wherever he went. And thinking: "No one in this guy's life ever pulls him aside and says, 'Listen, Mick: maybe ease up on the kids in public, eh?'"

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  • The nine most embarrassing X-Men marketing fuck-ups

    Movie Feature | Ali Gray | 12th October 2018

    You can always count on the X-Men for a laugh. While the Marvel marketing machine runs like a well-oiled machine and the DC marketing machine is basically a Xerox of the Marvel machine, the Fox marketing machine is more like a dodgy office printer, old and busted and producing wildly erratic and inconsistent results because no one really knows how to use it properly. The X-Men franchise is arguably the biggest name in superhero cinema - so why can't Fox ever seem to sell the movies without, excuse my language, fucking up like cack-handed twats?

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  • Deconstructing Pixar's Inside Out, the film I admire most

    Movie Feature | Ali Gray | 29th July 2018

    There are films that I loathe, there are films that I tolerate and there are films that I enjoy, but there are few films that I truly admire. With some movies I find it best you don't think too carefully how the sausage was made, because nothing spoils the illusion of cinema more than peeking behind the, uh, sausage curtain. Remember the pre-release behind the scenes photos of Robert Zemeckis' The Walk, that showed Joseph Gordon-Levitt doing a tightrope walk on a massive green plank? Cheers for saving me £12.50, idiots. Some movies, on the other hand, practically invite you to climb into the filmmaker's headspace; they want you to know just how much effort went into its creation. Pixar's Inside Out is one of those movies, where you can't help but marvel at the myriad thought processes that led to its genius inception and flawless execution. It's the movie I admire most and I still can't stop thinking about it.

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  • It Comes At Night

    Movie Review | Becky Suter | 7th July 2017

    The real monsters are inside us, you know. For example, there’s a demon that lives inside of me that comes out after approximately 3 glasses of Chilean chardonnay. Aside from my semi-serious drinking problem, It Comes At Night teaches us that any external creepy threats are nothing compared to the horrors at home. Yeah, think on that.

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