Patrick Wilson

News, Reviews & Features
  • Review: In the Tall Grass is a creeper but it won't make you soil yourself

    Movie Review | Luke Whiston | 14th October 2019

    "This is like one of those rubbish Stephen King film adaptations" I blurted out not long after In The Tall Grass had started - which was fine because I was watching it on Netflix at home. A few minutes later while checking out the film's IMDB page on my phone - again, fine - I saw it actually was a Stephen King adaptation, that also happened to be rubbish. Maybe if I'd been paying more attention the film would have seemed less rubbish. Or maybe if it was less rubbish I wouldn't have been tempted by my phone, despite being a near-40-year-old adult who should know better. Maybe cinemas should be cheaper. Maybe Netflix shouldn't exist so I'm forced to go to a cinema and concentrate. Basically whatever makes it someone else's fault except mine.

  • The Commuter

    Movie Review | Ali Gray | 18th January 2018

    Every January, Liam Neeson is parachuted into the mid-awards season slump, his brand of no-nonsense, cut-and-dried-in-90-minutes action thrills the perfect antidote to sludgy Oscar bait and the subsequent melange of self-consuming hot takes. His enemies are not the vaguely Eastern European drug dealers and criminals he fights on screen; his real opponents are Frances McDormand, Timothée Chalamet, Greta Gerwig. We cannot overlook the importance of having trashy movies exist alongside important movies: films like The Commuter are crucial to balance out the cinematic chi. Though Neeson's latest run-and-gunner will come and go in a single weekend, leaving nary a trace until he releases the exact same movie next January, it is an essential addition to your awards season watchlist. The Commuter should not be Taken 4: Granted.

  • The Conjuring 2: The Enfield Case

    Movie Review | Matt Looker | 14th June 2016

    There is a superb moment of unintentional hilarity in Conjuring 2. Vera Farmiga's spirit medium wakes up in the morning to discover husband Patrick Wilson painting at an easel. "Did you suddenly feel inspired?" she asks tenderly. "I wouldn't call it inspiration exactly. It's just an image I haven't been able to get out of my head all morning" he nonchalantly replies, before turning the easel around to reveal a perfect close-up portrait of an evil demon nun with glowy eyes and fangs.

  • The Conjuring

    Movie Review | Rob | 31st July 2013

    Take one old farm house, the more secluded the better; throw in a close-knit family excited about their new dream home; if they've got a young daughter prone to imaginary friends then that's absolute perfection. Chuck in a few slamming doors and kids yanked from their beds and you've got the recipe for a chilling, if unoriginal horror movie.

  • A gif of the least ridiculous therefore best bit of the Insidious 2 trailer

    Movie Trailer | Ali | 29th July 2013



    A smart scare that uses blocking to hide a horror. All the rest is exactly what you'd expect from a franchise whose first instalment saw Patrick Wilson have a fist-fight with a ghost. (Full trailer here).

  • Young Adult

    Movie Review | Ali | 1st February 2012

    Every time I watch an American high school movie, I always wonder what happens after the prom, after the geek gets the girl, after the kids save the Rec Centre. How people's school lives affect the rest of their adult lives interests me way more than their pointless playground antics, and the fact the credits always roll before you get to see the characters venture into the big, wide world is always frustrating. Anyone who's ever stumbled upon their school bully on Facebook and secretly revelled in their shit life will get a kick out of Young Adult; a movie that shares my fascination with the fragile effect of popularity at an early age.

  • Insidious

    Movie Review | Matt | 27th April 2011

    Instead of the usual screening experience hobnobbing with other critics and bloggers, Ali and I attended a special showing for Insidious that was filmed so that they could use shots of a glowy-eyed jumpy audience in TV trailers. Now that these ads are actually running on the box, it comes as no surprise to us that our mostly bored, sometimes laughter-stifling, mugs are nowhere to be seen in them.