Pete Docter

News, Reviews & Features
  • Deconstructing Pixar's Inside Out, the film I admire most

    Movie Feature | Ali Gray | 29th July 2018

    There are films that I loathe, there are films that I tolerate and there are films that I enjoy, but there are few films that I truly admire. With some movies I find it best you don't think too carefully how the sausage was made, because nothing spoils the illusion of cinema more than peeking behind the, uh, sausage curtain. Remember the pre-release behind the scenes photos of Robert Zemeckis' The Walk, that showed Joseph Gordon-Levitt doing a tightrope walk on a massive green plank? Cheers for saving me £12.50, idiots. Some movies, on the other hand, practically invite you to climb into the filmmaker's headspace; they want you to know just how much effort went into its creation. Pixar's Inside Out is one of those movies, where you can't help but marvel at the myriad thought processes that led to its genius inception and flawless execution. It's the movie I admire most and I still can't stop thinking about it.

  • Inside Out

    Movie Review | Matt Looker | 26th July 2015

    We've all seen the list of Pixar's story concepts throughout the years, right? 1995: What if toys had feelings, 1998: What if bugs had feelings, etc until we get to the Inside Out punchline: What if feelings had feelings? It's an apt joke, not just because you can imagine that this formula for success was actually decided years ago in a boardroom somewhere, but because Inside Out really does feel like the ultimate Pixar film. In terms of fun, emotion, gags and - yes - cries, Inside Out meets the very best of what the studio has done to date, and it does so within a simple, lovable realisation of an incredibly complicated abstract concept. This really is Pinnacle Pixar.