Wash Westmoreland

News, Reviews & Features
  • Review: Earthquake Bird: who is he, what is his net worth, who is his wife?

    Movie Review | Luke Whiston | 25th November 2019

    If making lots of one thing is an objective measure of goodness, then Netflix are really good at these thrillers where the protagonist is having a tough time clinging on to reality. Yes I know sometimes they just buy the distribution rights. This year alone we've had Fractured, The Perfection, In The Tall Grass, and several more; it's as if their recommendation engine is stuck in a feedback loop. The 'unreliable narrator' I believe the gimmick is called, and it's a solid framework for building mysteries - just add a setting, a creepy secret, a few dead women, et voila: cinema. Well, the Netflix equivalent.

  • Review: Colette is the literary period drama biopic that 2019 needs right now

    Movie Review | Matt Looker | 9th January 2019

    Did you know that Keira Knightley hasn’t appeared in a single film that’s set in the present day since Love Actually? Now, that isn’t remotely true, but it feels like it could be, doesn’t it? For most of her career, Knightley has been marked out as the go-to lead actress in Brit period dramas, even though her résumé includes recent memorable ‘modern’ roles such as those in um… Collateral Beauty, Jack Ryan: Shadow Recruit and, well, Red Nose Day Actually. If ever you worried that favouring stuffy corseted roles means that Knightley struggles to stay as relevant as she would be if she played, for example, a kick-ass assassin, a Transformer or Thor, then you’d be wrong. Colette proves that a period biopic can still offer a refreshingly modern story that’s surprisingly pertinent for these times. And – probably through no coincidence – it is Knightley’s best performance in years.