Just back from seeing this. I reckon Ritchie's style is exactly what's made these two films what they are TBH: think what'd be left without them. Holmes can think about clever stuff all he likes but it's not much use unless it's visualised somehow. Ritchie's a perfect fit I'd say.
Not as great as the first, but still very good on its own merits. Plus contains Stephen Fry's mighty naked frame, which is no bad thing.
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