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Abbey Lee

News, Reviews & Features

  • Review: Elizabeth Harvest brings a touch of class to the male wank fantasy

    Movie Review | Luke Whiston | 16th July 2019

    A few months ago I forced myself to watch Eli Roth's Knock Knock. It was a truly pathetic faux-apologetic excuse to show two young actresses naked, under the pretence it was all okay because they were getting revenge on shitty men. That's not to say I'm above looking at pointless nudity - I am a shitty man myself - but it has made me wary of how films are presented and my own sense of dismay when something turns out to be as grubby as you'd hoped it wouldn't be, even if a part of you secretly hoped it would be.

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  • The Neon Demon

    Movie Review | Matt Looker | 11th July 2016

    Nicholas Winding Refn is proving to be one of the most divisive filmmakers working today. Between his last feature, Only God Forgives, and now this, it seems that Refn is intent on using surreal, striking imagery to replace conventional narratives. Is this iconic iconoclasm of the medium deliberate contempt for modern cinema or playful adoration? And is his output polarising purely because of his obvious, spiteful defiance of the mainstream or because it might actually lack merit? Either way, this kind of issue so often detracts from any real critique of his work. For example, I haven't seen anyone so far talk about the biggest problem with The Neon Demon: the inaccurate depiction of modelling. I've watched America's Next Top Model, and not once in this film did anyone 'smize', nor even 'poochie tooch'.

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