James Cromwell
News, Reviews & Features-
Jurassic World: Fallen Kingdom
Movie Review | Ali Gray | 10th June 2018
I am a Jurassic Park sequel apologist. I am a Jurassic sequapologist. There’s no shame in loving the original movie, obviously, and I maintain that Jurassic World was an unapologetic, fan-pleasing blockbuster that wanted to reach even farther than Michael Crichton’s visionary thinking. But the sequels? I am at war with myself. The Lost World sort of has some good bits? The birdcage bit in Jurassic Park III was cool, I guess? Jurassic World: Fallen Kingdom, sadly, is a different beast entirely: it is the first Jurassic movie I haven’t enjoyed unreservedly from the get-go. With the other duffers I’d eventually pick up on the flaws after multiple rewatches - this is the only Jurassic Park movie I’ll have to learn to love.
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#LFF: The Artist
Movie Review | Ali | 19th October 2011
The dog doesn't die. What a relief. After the relentless misery of films like Tyrannosaur and Snowtown, and with We Need To Talk About Kevin still to come, I'm just grateful a film as joyous as The Artist even exists. A lovingly shot black and white homage to silent film, Michel Hazanavicius's evocative picture echoes the classics of the genre and stretches wide over the cinematic horizon like a double rainbow (so intense, all the way across), blasting away the black clouds hanging over the London Film Festival. If it doesn't leave you with a smile plastered all over your stupid face, then you don't have a mouth, in which case, I'm sorry I said your face was stupid.
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Surrogates
Movie Review | Rob | 29th September 2009
Movies based on computer games are usually complete balls - it's a well known cinematic fact. But it seems that finally, some powerful people have realised this. The solution: Films inspired by the gaming world but not based upon anything in particular.
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W.
Movie Review | Anna | 11th November 2008
The cultural legacy of the Bush administration is one of opposition and subversion; from the songs of the Dixie Chicks, to the films of Michael Moore, to the literature of Ian McEwan. If Oliver Stone was hoping to earn his place in the canon of Bush-bashing, he's missed the mark with W. What the film does do is help us understan...
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