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Juno Temple

News, Reviews & Features

  • Sin City: A Dame To Kill For

    Movie Review | Ali Gray | 20th August 2014

    Nine years after the pages turned on Robert Rodriguez's first Sin City movie, and with at least three major parts recast, you can't help but think this Dame To Kill For is sashaying into town long after everyone has lost interest. Showing no signs of added maturity - if anything it's even more juvenile - this slick-yet-soulless sequel features the required quota of girls, guns and garrotting, but it's unlikely to win over those who were unimpressed by the same stiff sideshow almost a decade ago.

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  • Maleficent

    Movie Review | Becky Suter | 28th May 2014

    Getting over your first love can be tricky. When your heart has been torn from your chest and ripped to pieces in front of you by the cruel hand of fate (or by your childhood sweetheart), it's easy to believe that true love only exists in fairytales, particularly when you're standing outside their house at 2am, barefoot and screaming "WHHHHYYYY?!" Agony aunts will often offer up cheery advice such as "Take up a new hobby!" or "Try a daring new haircut!" My advice after watching Maleficent would be to get a set of leather horns, some red lipstick and go all 'bad witch' on his ass. Revenge has never looked so good.

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  • Lovelace

    Movie Review | Christopher Ratcliff | 25th August 2013

    It's The '70s! Hooray! I Heart The '70s! Do you remember The '70s? I do! If I wasn't gliding around a roller-rink listening to disco music in hot-pants, I was sunbathing next to the swimming pool at my mom's house listening to an AM radio, phoning the DJ to request Bachman-Turner Overdrive multiple times and giggling with my best friend who won't figure hugely in my later life. Do you know what the best thing about The '70s was, though? Apart from the fonts. There were some great fonts in The '70s. No no, the best thing about The '70s was porn!

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  • The Dark Knight Rises

    Movie Review | Ali | 20th July 2012

    Me, I've always been a fan of Christopher Nolan more than I have Batman. Don't get me wrong, I was wowed by the reinvention of Batman Begins and the wallop of The Dark Knight, but I'll always choose the sleight-of-hand of The Prestige or the cerebral jolt of Inception given the choice. The Dark Knight Rises is a stunning piece of work, gigantic in scale with hugely ambitious themes, but Nolan's contribution to the Batman legacy – and indeed the superhero genre as a whole – is to make these films more about the men behind the masks than the heroes they portray: the guys who make the magic happen.

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