Keegan-michael Key
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Review: Dolemite Is My Name is a rose-tinted celebration of flawed ambition
Movie Review | Luke Whiston | 5th November 2019
Is Eddie Murphy back? Judging by the last few months he's made a great deal of effort to distance himself from his 1980s sexism-laced standup routines, so he's definitely trying to come back. You can be cynical about it and say this is housekeeping in an attempt to reinvent his image for the new age of woke comedy, or you can accept he's genuinely trying to make amends and move onwards and upwards together into Liberal PC Heaven, where there are no guns and all the Pokemon you can catch. Whatever it is I'm not sure the best way to do it is via a celebration of blaxploitation; a genre laced with sexism.
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Tomorrowland: A World Beyond
Movie Review | Ali Gray | 21st May 2015
The sole conceit of selling a movie like Tomorrowland is convincing you it's a place you need to visit – a world unlike our own where magical things happen and anything is possible. You cannot accuse of Brad Bird and screenwriter Damon Lindelof of underselling this vision of the future: the first hour of Tomorrowland is all tease and build-up and you're just as desperate to get to the promised land as the characters are. Unfortunately, Tomorrowland is a movie that cannot possibly hope to deliver on that promise; it's a movie chock-full of crackpot invention but is overcrowded with ideas that are ultimately underdeveloped. Tomorrowland is sold expertly as the land of milk and honey – it's such a shame it turns a little sour when you finally get there.
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