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Marc Forster

News, Reviews & Features

  • Review: Christopher Robin is a stark reminder that adulthood sucks ass

    Movie Review | Ali Gray | 14th August 2018

    If you hadn’t realised it from the twee, plinky-plonky marketing, Christopher Robin is a movie aimed more at large adult sons than it is small children - the kind of film that insists the key to happiness and the secret to being a better man, husband and father, is to be more childlike. That’s kind of Disney’s whole thing right now; the studio seems intent on arresting the development of adults around the world with superhero universes and space sagas and glitter-flecked versions of the movies they loved as children. But hey, if there’s any character that’s going to cut through corporate cynicism, it’s Winnie the Pooh, a bear after my own heart, living my trouserless dream, who is so loveable he could tell me he just disembowelled and stuffed the other residents of the Hundred Acre Wood and I’d still let him bumble around my house, stuffing his adorable face with £13-a-jar Manuka.

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  • World War Z

    Movie Review | Ed Williamson | 19th June 2013

    Bloody globalisation. It's not enough to have a film about a bunch of jocks and hot co-eds being chased by a few zombies any more. Now they've got to be taking over the whole world. Or so you'd think: new summer tentpole Pitt-flick World War Z might want to be the blockbuster its marketing suggests, but it has a schizophrenic tendency to flit between bombast and quiet contemplation. Which would be fine, except that all of its best ideas have already been done better elsewhere.

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  • Machine Gun Preacher

    Movie Review | Rob | 2nd November 2011

    Machine Gun Preacher: with a title like that, you'd expect a Grindhouse-esque, ultra-violent B-movie about a muscle-bound preacher with ripped sleeves, standing atop a pile of bodies, brandishing a huge gun, maybe with a cigar hanging out of his mouth, topped off with a killer catchphrase. "Pray for mercy," he'd say. Or something like that.

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  • Quantum Of Solace

    Movie Review | Ali | 17th October 2008

    Where does a character go once he's been reinvented? Stripped down to the bare essentials, the James Bond of Casino Royale - the 007 that Ian Fleming would have approved of - proved extremely popular with audiences and critics alike, enough for them wipe the slate clean and agree to start afresh. Bond now rebooted, battered phys...

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