Nikolaj Coster-waldau
News, Reviews & Features-
Review: Game of Thrones bows out burning bridges, own fingers, everything
TV Review | Luke Whiston | 21st May 2019
So now that the Marvel Cinematic Universe and Game of Thrones are at an end - two of the most popular, costliest and consistently epic franchises to ever exist in film and TV - and we've chewed over when and how to talk about them online, are we at some kind of 'spoiler event horizon' or a 'spoiler singularity'? I don't know either, just wanted to say something that sounded clever. Tits and willies and dragons eh, cor!
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Oblivion
Movie Review | Ali | 10th April 2013
Joseph Kosinski made his directorial debut with Tron: Legacy, a movie that boasted the sleek lines of an Apple product with about as much narrative thrust as the iTunes terms and conditions. With Oblivion, his second movie as director and his first as screenwriter, Kosinski keeps the slick, glossy sheen of his sophomore effort (trading black for white) but bolts it onto an involving, expansive sci-fi that asks more of you than simply to ogle its gorgeous curves. Though it shares similarities with many iconic works of science-fiction, including The Matrix, 2001 and one recent movie that would act as a spoiler if I named it, Oblivion nonetheless makes a bold attempt to be remembered on its own terms thanks to a dazzling arrangement of future tech and some truly satisfying plot twists.
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Mama
Movie Review | Ed Williamson | 20th February 2013
Just as Rob is now The Shiznit's go-to guy for dance movies, it seems I've somehow become the de facto horror critic around here. An unwise editorial decision at best: I'd only seen about six horror films before, and two of them were Ghostbusters in different aspect ratios. Here's a thing I've learned, though: there is a Spanish man called Guillermo del Toro who sneaks into edit bays and shoves his name in at the start of other people's films. But he seems to know his Spanish onions: Mama, the latest film he has credits-bombed, is pretty much triumphant from start to finish.
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#LFF: Headhunters
Movie Review | Ali | 22nd October 2011
Arriving at the London Film Festival without so much as a fanfare or even a comical parp on a tuba, Headhunters is a thriller from the same production house as the Millennium trilogy, which naturally led me to begin prepping me 'The Film With The [Blankety] [Blank]' puns.
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Review: Project Power hits the right beats but offers nothing new
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Marvel's Cine-CHAT-ic Universe: Captain America: Civil War (2016)
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Review: Host is a techno-horror that dials up the scares
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