Oliver Jackson-cohen
News, Reviews & Features-
Review: The Invisible Man offers dark, intense thrills, sight unseen
Movie Review | Matt Looker | 4th March 2020
If you stop to think about it for a minute, the very idea of an invisible person raises some questions and almost all of them are: what happens when they eat or drink or bleed or, yes, shit? At what point does something external to the person start or stop being ’also invisible’? There are a couple of different cinematic approaches to the science: Memoirs Of An Invisible Man takes a cue from H. G. Wells’ original novel and shows food filling a suddenly materialised stomach before being vomited back up again, while Hollow Man just er... never really mentions it. In a similar vein to that creepy, invisible stalker movie, this new film ignores the biological questions altogether because the title character’s vanishing act is achieved with a special suit made of... optics? Cameras? It looks like it probably works a bit like the invisible car in Die Another Day. So that’s just really clear. Good, simple logic. No questions, your honour.
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The Raven
Movie Review | Ali | 10th March 2012
The Raven is a fairly neat concept in theory. A down and out Edgar Allen Poe (John Cusack) is hired by old-timey police to solve a series of grisly killings based on his own macabre stories. There's a little bit of Saw, a touch of Basic Instinct and even a smidgen of Sherlock Holmes in the screenplay; it's equal parts gothic horror, murder mystery and action adventure, just a few doors down From Hell. It's not a bad idea, but that description probably makes it sound a little more exciting than it actually is – for all its shadowy intrigue and booze-tinged whimsy, The Raven is a story that even Poe would admit needs a few rewrites.
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