Pablo Schreiber

News, Reviews & Features

Review: First Man is out of this world NO WAIT I CAN DO BETTER

Movie Review | Ali Gray | 28th September 2018

I am from a generation who never had a Moon landing, and itâ€™s probably just as well. I suspect 9/11 is to be our defining shared collective experience, one that united us in terror instead of awe, huddled as we were around TVs and computer screens to watch the world change forever, just not for the better. My generation would be unable to process a positive event of such magnitude without cynicism: if the Moon landing happened in 2018, the memes would be played out by breakfast, the conspiracy theories would be in effect by lunch and the astronaut who stepped off the spacecraft would be Milkshake Ducked by dinner (reminder: we couldnâ€™t even enjoy the fact that scientists landed a probe on a fucking COMET because one of the engineers was wearing a sexist shirt). We deify Elon Musk, we donâ€™t deserve a Moon landing. Watching First Man is probably as close as my generation is ever going to get to watching the human race extend its reach beyond the stars: it is a refreshingly old-fashioned, unashamedly straightforward account of mankindâ€™s headiest achievement, and even speaking for a generation who are generally numb to this brand of back-patting throwback bio, I found its bald-faced nostalgia quite moving.

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Skyscraper

Movie Review | Matt Looker | 12th July 2018

Almost all films starring Dwayne â€˜The Rockâ€™ Johnson (or â€˜Dwockâ€™, as I will now call him, for ease) play on the fact that he is an impossibly-shaped human with overinflated balloon arms that are at constant risk of bursting and jettisoning his screeching cannonball head around the room. Not to mention that he acts like a small child that has somehow Freaky-Fridayed with his favourite He-Man figure and doesnâ€™t know how long he has left to make the most of it. As such, Dwock always plays larger-than-life characters in larger-than-life films. Skyscraper, however, sees a return to relatively more serious action. Itâ€™s still an overblown, ludicrous mess, but itâ€™s genuinely refreshing to see a film like this played with such sincerity. Such ridiculous, idiotic sincerity.

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The top 13 beards in 13 Hours

Movie Feature | Ed Williamson | 4th February 2016

13 Hours, as well as being a sensitive and measured critique of America's role as an interventionist force in the Middle East, draws keenly on the theme of beardedness. What does it mean to be a bearded man shooting stuff in a bloody great war, just as the Western male is becoming culturally feminised on a scale not seen since the noblesse of 17th-century France? This thing has so many layers.

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13 Hours: The Secret Soldiers of Benghazi

Movie Review | Matt Looker | 29th January 2016

A sunset bears down on an open field. Cloth rags blow in the wind. Two children run in slow motion through the long grass. A snag of material on a twig blows in the wind again. Oh, we're back to the sunset again, ok. Now some sheep are milling around for some reason. And now those children are running again. Aaand we're back to the sunset. Jesus Christ, Michael Bay, I get that you're using these establishing shots to build tension but itâ€™s no wonder this film is 144 minutes long. This film should be 6-7 Hours: The Secret Soldiers Of Benghazi. 8 Hours: The Secret Soldiers Of Benghazi max.

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