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Paul Reiser

News, Reviews & Features

  • Review: Horse Girl opts for style over substance, but it's a close-run race

    Movie Review | Luke Whiston | 12th February 2020

    If making lots of one thing is an objective measure of goodness, then Netflix are really good at these thrillers where the protagonist is having a tough time clinging on to reality. Yes I know sometimes they just buy the distribution righ- ...hang on, this is my intro to Earthquake Bird. Ok, well as broadly similar as Horse Girl is to all those other films, there are a few things setting it apart worth talking about. So let's saddle up pardner and giddy on up to the re-he-view! *yeehaws on chair in Costa, falls off, breaks pensioner's hip*

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  • Whiplash

    Movie Review | Ali Gray | 11th January 2015

    Sometimes a joke hits too close to the mark, and so it is I cannot ever listen to jazz music without thinking of The Fast Show sketch, Jazz Club, with its bowl-cutted host Louis Balfour introducing chin-stroker acts in straight trousers with names like Charlie ''The Bulb'' Robeson and Soylent Green. That's an entire musical genre desolated, for all time - an entire section of HMV I'll never trouble. But perhaps there is a saviour for jazz; not a musician, but a director, Damien Chazelle - a man who's probably too young to even remember The Fast Show, let alone the old duffers who made jazz insufferable in the first place. Trumpets please!

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