Terrence Howard
News, Reviews & Features-
Prisoners
Movie Review | Neil Alcock | 20th September 2013
On a list of fantasy dads, Hugh Jackman's got to rate pretty highly. There can't be many actors who you'd want to drop you off at school, teach you to shave or come round and fix your boiler. Clooney? Too pretty. Downey Jr? Too easily distracted. Cruise? Too weird. But even though he's younger than them all, Jackman's got "ideal dad" written all over him, which makes him enormously watchable in the role of protective pop in Prisoners. That is until he transforms into a screaming demon of furious, misguided, hammer-wielding vengeance, at which point I'll take back my actual dad thanks very much. He might not be Hugh Jackman but at least he doesn't perforate your eardrums every time he opens his mouth.
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On The Road
Movie Review | Ed Williamson | 11th October 2012
I don't know me too much 'bout no fancy book-learnin', but I do know you can get away with a lot more fannying about in a book than you can in a film. After watching On The Road I was left with the impression that Jack Kerouac's book, from which it was adapted and which I've never read, was probably a disjointed, stream-of-consciousness kind of affair, in which traditional notions of narrative structure matter less than the overall mood. Well, good for you, Jack (*tousles Kerouac's hair*). But this is a book that's long been thought unfilmable, and it's easy to see why.
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Red Tails
Movie Review | Rob | 8th June 2012
A long time ago in a ranch far, far away...
It is a dark time for George Lucas. Forced to put his
WWII project on hold and desperate to tell the stories of
the Tuskegee Airmen, the first African-American fighter pilot
squadron, Lucas was told 'No' by the evil studios, who deemed
a film with an all black cast unmarketable. 23 years later, a time
when Hollywood wasn't quite so racist, Lucas finally made his film,
thanks to galactic bucks from his own, overflowing Death Star wallet. -
Iron Man
Movie Review | Ali | 5th May 2008
There's now a very clear sliding scale on which any new superhero movies must be placed before they're pushed into production. At one end is the candy-coloured, day-glo fluff of the Fantastic Four, while at the other is the dark and brooding sincerity of Batman Begins. In other words, you're either in it for the money, or you'r...
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