Review
Begin Again
Movie Review
Director | John Carney | |
Starring | Mark Ruffalo, Keira Knightley, Hailee Steinfeld, James Corden, Yasiin Bey, Catherine Keener, Adam Levine, CeeLo Green | |
Release | 27 JUNE (US) 11 JULY (UK) Certificate 15 |
Ed Williamson
11th July 2014
John Carney's Begin Again, a feel-good acousticky-summery-strummery thing, does a great job of convincing you why music matters so much. Despite a few flaws it even won me over, and I haven't listened to anything outside the Radio 2 playlist for about three years.
True to the generic template, Dan (Mark Ruffalo) is a bit unshaven and generally dog-eared throughout Begin Again, because he's a record producer who's fallen out of love with music. He's also drunk a lot of the time. I do wonder sometimes why men who've gone off the rails in films always do so through excessive raffishness, partying and ignoring their responsibilities, whereas a woman's crisis state will always manifest through promiscuity.
But Ruffles cares about my feminist sympathies about as much as you do. He's busy falling apart after Mos Def (yes, Yasiin Bey, but come on: Mos Def) kicks him out of the record label they started together. Plus he and his wife (Catherine Keener) aren't together anymore, and his daughter (Hailee Steinfeld) is hitting her teens and beginning to realise what a flake he is. Living apart from her, he doesn't know what her interests are and she's not telling him.
His upswing begins when he drunkenly sees Greta (Keira Knightley) performing one of her songs reluctantly on a small stage, and he decides she's the talent he needs to get his own label going. This is illustrated nicely by his visualising the stripped-down song with backing, seeing the instruments behind her playing themselves. She's just split up from pop star boyfriend Dave (Adam Levine, out of bloody Maroon 5) though, and needs some persuading. We're shown the characters' paths to this encounter once from each perspective, and it's a neat trick, well executed, though it takes a bit long to get there even once you've figured out what it's up to.
There are two things going on here, vying for your attention. One, the standard platonic, mutually beneficial unlikely male-female pairing, whereby they're both damaged and help to fix each other, with the odd suggestion here and there that they're going to fuck like angry Vikings just to help it along. Two, more interestingly, the idea that authenticity is something to be valued greatly, and the use of music as a metaphor for that.
Dan is flawed, but he's authentic, and that's what Greta finds inspiring in him: once he starts to dust himself off he pours himself into producing her album - a ramshackle, let's-do-the-show-right-here project recorded in various New York outside spaces - and his love of and belief in music is obvious. Her ex-boyfriend Dave is anything but: he's compromised his ideals for pop stardom and cheap sex with the hot record label girl. This missteps pretty drastically in one scene, where his overproduced chart hit that she sees as emblematic of his choices is used as stirring incidental music to help us take in Greta's character growth, but the point has already been well made.
The songs - sung very well by Knightley - are pleasantly summery acoustic fare, the main one memorable enough that I can still hum it a month later. As well as pre-recorded rather than live songs worked in last year's Sunshine On Leith, there's a less immediate feel about them here. Knightley lip-syncs her own voice just fine but the songs sound studio-played when they're supposedly being performed in an alley, and there's a distance created by your wondering whether the voice is actually hers, having never known before that she could sing. Or at least there would've been if I hadn't just told you about it. She's copped some unfair flak in her career, and deserves praise for this performance, especially when her sororal scenes with Steinfeld show a new side to the character, but there's the overall sense she's been shoehorned in a little.
I came out of Begin Again thinking it was a story of redemption for Dan that fell a little flat because he hadn't particularly done anything in need of redeeming, save for drink a bit much and be a little immature. But I'd misread it: it's about both him and Greta rediscovering something they'd lost, through mutual respect for the authenticity that a real music-lover values so much. It works very well for that, muddying its message a little on occasion, but still a song well worth hearing.
Support Us
Follow Us
Recent Highlights
-
Review: Jackass Forever is a healing balm for our bee-stung ballsack world
Movie Review
-
Review: Black Widow adds shades of grey to the most interesting Avenger
Movie Review
-
Review: Fast & Furious 9 is a bloodless blockbuster Scalextric
Movie Review
-
Review: Wonder Woman 1984 is here to remind you about idiot nonsense cinema
Movie Review
-
Review: Borat Subsequent Moviefilm arrives on time, but is it too little, or too much?
Movie Review
Advertisement
And The Rest
-
Review: The Creator is high-end, low-tech sci-fi with middling ambitions
Movie Review
-
Review: The Devil All The Time explores the root of good ol' American evil
Movie Review
-
Review: I'm Thinking Of Ending Things is Kaufman at his most alienating
Movie Review
-
Review: The Babysitter: Killer Queen is a sequel that's stuck in the past
Movie Review
-
Review: The Peanut Butter Falcon is more than a silly nammm peanut butter
Movie Review
-
Face The Music: The Bill & Ted's Bogus Journey soundtrack is most outstanding
Movie Feature
-
Review: Tenet once again shows that Christopher Nolan is ahead of his time
Movie Review
-
Review: Project Power hits the right beats but offers nothing new
Movie Review
-
Marvel's Cine-CHAT-ic Universe: Captain America: Civil War (2016)
Movie Feature
-
Review: Host is a techno-horror that dials up the scares
Movie Review