Corey Stoll

News, Reviews & Features

Marvel's Cine-CHAT-ic Universe: Ant-Man (2015)

Movie Feature | Ali Gray, Matt Looker, Becky Suter, Ed Williamson, Luke Whiston | 8th May 2019

This is it. This is the one where the wheels finally came off. 11 movies deep into the Marvel's Cine-CHAT-ic Universe feature, Ant-Man marks the occasion where everyone has officially lost interest in the concept, due to us being five years and ten movies out of step with the rest of the Marvel Cinematic Universe. We didn't spoil the Endgame, the Endgame spoiled us.

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Review: First Man is out of this world NO WAIT I CAN DO BETTER

Movie Review | Ali Gray | 28th September 2018

I am from a generation who never had a Moon landing, and itâ€™s probably just as well. I suspect 9/11 is to be our defining shared collective experience, one that united us in terror instead of awe, huddled as we were around TVs and computer screens to watch the world change forever, just not for the better. My generation would be unable to process a positive event of such magnitude without cynicism: if the Moon landing happened in 2018, the memes would be played out by breakfast, the conspiracy theories would be in effect by lunch and the astronaut who stepped off the spacecraft would be Milkshake Ducked by dinner (reminder: we couldnâ€™t even enjoy the fact that scientists landed a probe on a fucking COMET because one of the engineers was wearing a sexist shirt). We deify Elon Musk, we donâ€™t deserve a Moon landing. Watching First Man is probably as close as my generation is ever going to get to watching the human race extend its reach beyond the stars: it is a refreshingly old-fashioned, unashamedly straightforward account of mankindâ€™s headiest achievement, and even speaking for a generation who are generally numb to this brand of back-patting throwback bio, I found its bald-faced nostalgia quite moving.

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Black Mass

Movie Review | Ed Williamson | 4th December 2015

There are a couple of premises on which Black Mass relies in lieu of a unique selling point. One is the idea, mainly established by marketing over the years, that a radical physical transformation for a role equals a daring and probably great performance. The other is that the audience's familiarity with the structure of the real-life gangster movie is enough to justify doing it all over again. Both are fallacies, and neither is enough to make it sparkle.

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