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    Movie Review | Neil | 25th February 2013

    Poor old Park Chan-wook. One minute you're the director of the blistering Sympathy For Mr Vengeance and Oldboy, the next you're the director of I'm A Cyborg, But That's OK and Thirst. What to do to regain your former prowess? The answer, obviously, is to make a new film in a language other than your own, from a script by a Prison Break actor, which on the surface looks like a remake of a beloved Hitchcock classic. What could possibly go wrong?

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