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Sally Hawkins

News, Reviews & Features

  • Review: Godzilla: King Of The Monsters is a dreary mess of titanic proportions

    Movie Review | Matt Looker | 29th May 2019

    To all those that said Gareth Edwards' Godzilla was a bore, or that it was slow, or that it took too long to reveal the beast himself, this one's on you, because this new monster mêlée follow-up is a megatomic nuke to the senses. It's a relentless shit-storm of mayhem and bullshit that attempts spectacle but delivers shaky-cam confusion and exhausted clichés for optimum headaches and head-shakes. It's a slog, an onslaught of expensive oblivion and a brain-fouling juggernaut of chaos. Although, I realise some of you may actively want all of this from your giant monster stories.

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  • Maudie

    Movie Review | Ed Williamson | 1st August 2017

    Since Maudie is a film whose hat hangs largely on its two main performances, and since the critics on the posters are starting to talk about Oscars for them, let's have a word about performances and whether there's any value in qualifying them.

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  • Blue Jasmine

    Movie Review | Ed Williamson | 27th September 2013

    Never seen a Woody Allen film before. You'd think one might have been on while I was in the same room at some point over the last 34 years, but no: never. People don't half talk a lot in them, it turns out. Not that I've anything against that, it's just I'm mainly used to things where people shoot each other in the knees rather than sit around running their mouths the whole time. Meh, maybe it'll catch on.

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  • Submarine

    Movie Review | Ali | 14th March 2011

    Though I don't agree with the relentless tub-thumping that occurs in the UK press every time a half-decent British film is released - as if it's mandatory that you HAVE to get behind it because it's BRITISH and THE KING'S SPEECH - it's nonetheless a very welcome surprise when a British filmmaker releases a genuine gem.

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  • Made In Dagenham

    Movie Review | Oli | 25th October 2010

    Call it 'faction', call it 'docudrama'... call it what you will, but cinema is currently full of dramatic recreations of meaningful moments of history (and it'll only become fuller in the run up to the Oscars). Director Nigel Cole is on home turf in this forum, after finding prominence helming Calendar Girls in 2003; like riding a bike, he shows the skills employed to direct in this genre cannot be forgotten.

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