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Sienna Miller

News, Reviews & Features

  • 11 ways Clint Eastwood's American Sniper embellished the truth

    Movie Feature | Ali Gray | 21st January 2015

    Clint Eastwood's military biopic American Sniper tore through cinemas in the red states last week to break January box-office records, making military supporters fire their guns in the air in celebration. However, questions remain over the movie's accuracy, following accusations that the movie's subject, Navy SEAL Chris Kyle, was a fantasist (he claimed he shot and killed two carjackers and that police covered it up, and that he picked off looters during Hurricane Katrina; neither incidents were ever confirmed). Eastwood's movie makes no mention of these events, so what other inconvenient truths does the movie ignore?

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  • American Sniper

    Movie Review | Ed Williamson | 13th January 2015

    Oh, great. This should help smooth things out. While I wouldn't support the action, I'm surprised to have heard no calls to postpone the release of American Sniper. Here's a portrait, entirely unshaded by grey, of a US Navy SEAL who claims more confirmed kills than any other sniper in US military history, all of them in Iraq. There are interesting questions about the morality of this, given how many more lives he likely saved, about the effect it had on him, and about the implications of American occupation in the Middle East. Clint Eastwood isn't terribly interested in asking them, though. While this is an effective and very watchable war movie, it's as uncomplicated as it gets.

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  • LFF 2014: Foxcatcher

    Movie Review | Ali Gray | 20th October 2014

    There is a subtle moment in the first few minutes of Foxcatcher - a moment between moments, really - that I just couldn't shake. Gold medal-winning wrestler Mark Schultz (Channing Tatum) sits down alone at his table in an apartment that seems almost comically small for a man of his size. He has prepared himself some ramen noodles, presumably for his evening meal. Sitting in silence, framed against blank, beige walls, Schultz raises the spoonful to his lips but pauses for several seconds, staring intently at the noodles before putting them in his mouth. There is so much unsaid in that arresting pause; even this basic act of nourishment seems to be a struggle. It's a moment indicative of Foxcatcher as a whole; a glacial, passive drama where true emotions seethe beneath a surface of calm - until they can be contained no more.

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  • The Edge Of Love

    Movie Review | Anna | 15th July 2008

    Watching The Edge Of Love is a little like tuning into the BBC on a Sunday evening to find a lavish costume drama. You know, the kind of high-quality frolic that requires approximately half of your attention, leaving the other half free to peruse the Sunday papers at leisure. This film is essentially an intelligent lit-chick-...

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