Steve Mcqueen
News, Reviews & Features-
Review: Widows delivers an effective, grief-stricken social drama with thrills
Movie Review | Matt Looker | 16th October 2018
Steve McQueen’s dramatically weighty take on the heist movie genre starts with a blistering opening scene. We see masked robbers fleeing their crime mid-pursuit, but only from inside the back of their getaway van. With a fixed position looking out through the transit’s rear, its broken doors scraping and sparking on the road as police cars and traffic crash and pile-up in the trail of the gang’s escape, we cut to each of the members in moments of domesticity from earlier that day - Liam Neeson passionately kissing Viola Davis in bed, Jon Bernthal prodding at the black eye adorning Elizabeth Debicki’s face, kisses goodbye, arguments in stores - until finally a chaotic shootout leaves the gang and their van exploded in flames. McQueen’s intent is clear: from the physical chaos on the roads to the emotional distress at home, these robbers are leaving a lot of devastation in their wake.
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#LFF: Shame
Movie Review | Ali | 20th October 2011
My uptake of films from the London Film Festival has been pretty slow so far – curse you, day job! – but with Shame marking another notch on my metaphorical bedpost, I'm three for three for excellent movies so far. If I were a Radio 1 DJ, I might describe it as "a non-stop hit parade of massive club bangers", but I'm not, so I'll just say I've seen three cracking films in a row, and hooray for that.
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