Armie Hammer

News, Reviews & Features
  • Review: Rebecca is an uninspired case of diminishing returns

    Movie Review | Luke Whiston | 26th October 2020

    Here are a couple of film facts you can use to impress your TikTok audience: Die Hard is a Christmas movie, and John Carpenter's The Thing is a remake. Wait, one of the most awesome movies ever is a copy of another film? Well no, not exactly: Carpenter took an old story and improved it, adding his own ideas and explosions, and generally raising everything up a notch. Okay, so what's your point? That it is possible to create legitimate new art from old art. Oh right, is it worth obsessing over? Not really. Are you going to anyway? Yes, after this dab.

  • LFF 2017: Call Me By Your Name

    Movie Review | Becky Suter | 26th October 2017

    Following on from 2015's A Bigger Splash, Luca Guadagnino continues his fascination with swimming pools, sultry Italian summers and dancing men with a heartbreaking coming-of-age tale set in 1983. It's a film so alluring and luminous it almost makes up for the fact I never experienced a holiday romance of my own. Who knows what could have happened had Armie Hammer's family ever decided to holiday during the late 90s at Rockley Park, Bournemouth's premier caravan park? While I lament the life that could've been, I'll have to content myself with this transcendental account of first love that is the very definition of bittersweet. It's seductive, sensual, and at one point someone ejaculates into a peach. It's got everything.

  • Cars 3

    Movie Review | Matt Looker | 10th July 2017

    As someone who has barely seen the first Cars, and who actively and selfishly steers his son away from knowing that a sequel even exists simply because I’ve heard it’s not very good, I am clearly not the best person on the Shiznit staff to review this film. No, that honour goes to Ali, who, for the past two years, has an unfinished article sitting in the site admin area entitled "What I've learned from Cars 2 after watching it 200 times". Yet, here I am, ready to impart my own unique viewpoint on the latest instalment of Pixar’s most-derided franchise. You ready? Here goes: It’s… alright?

  • The Birth Of A Nation

    Movie Review | Matt Looker | 12th December 2016

    Can you separate the art from the artist? Is it fair that a film with high hopes of awards potential is now being overlooked because of behind-the-scenes controversy? And should we let a 1999 rape charge brought against filmmaker and star Nate Parker affect how we view his depiction of rape in this film? One thing's for sure, film reviewers everywhere are grateful for being handed an easy opening paragraph before never mentioning the ethical dilemma again for the rest of the review because it's all a bit (*sharp intake of breath*)

  • LFF 2016: Free Fire

    Movie Review | Matt Looker | 16th October 2016

    Remember that sequence in Spaced, where Tim gets out of a bind by initiating a pretend shootout with finger guns, safe in the knowledge that no one in the near vicinity can resist joining in? Ben Wheatley's new trigger-happy triumph plays out exactly like that, complete with stylised slow-mo, only with real guns, real bullet wounds and with it all carrying on for a real long time.

  • The Man From U.N.C.L.E.

    Movie Review | Matt Looker | 12th August 2015

    The action hero has come a long way since the 60s. Once calm, unobtainable specimens of perfection have gradually morphed into tough, emotionally closed anti-heroes, and then into testosterone-fuelled musclemen, and now they're flawed and troubled characters in touch with their - ugh - feelings. Superheroes are forever in search of their own life purpose (the clue is in the word 'superhero', guys), lone wolf cops have money worries, even Tom Cruise is now contractually obligated to have his character make at least one mistake in his movies. And James Bond cries now. He actually cries. So call it an adaptation, a rehash, another unoriginal concept in a Hollywoodland bereft of creativity, or whatever - The Man From U.N.C.L.E. is still one of the most refreshing action films you'll see this year.

  • The Lone Ranger

    Movie Review | Ali | 7th August 2013

    Historically, the Western is a genre that requires patience. Typically, teenagers are not the most patient of people. Therefore, it stands to reason that Gore Verbinski must have been spectacularly drunk when he pitched The Lone Ranger: a 149-minute Western aimed at kids, smack bang in the middle of blockbuster season. That it flopped to the tune of $190 million is not a surprise; the fact that it is not nearly the disaster US critics heralded it as, however, is something of a welcome revelation.

  • Can critics really kill a movie? Don't make me laugh

    Movie Feature | Ali | 6th August 2013

    Like dogs responding to a high-pitched whistle, film critics around the world pricked up their ears today when the stars of The Lone Ranger effectively blamed scathing reviews for its dismal failure at the box-office. As I'm technically a critic because I have a website and spare time and delusions of grandeur, I felt obligated to throw my hat into the ring. Then pick it up, dust it off and remove it from the ring, because the ring is stupid and even just having my hat in it for a second makes me a bit stupid too.

  • I calls 'em how I sees 'em

    Movie Feature | Ali | 9th April 2013

    If there's anyone out there who actually thinks Disney's $250m blockbuster The Lone Ranger will turn a profit, be sure to vote with your wallet. You know, like how you all did with John Carter. (New poster from IMP).

  • Mirror Mirror

    Movie Review | Rob | 3rd April 2012

    The trailers for Tarsem Singh's lavish interpretation of Snow White And The Seven Dwarfs totally sell the film short, filled with cheap puns, singing and dancing. On this evidence, the grittier Lord Of The Rings-esque Snow White And The Huntsman - due out in June - looked set to leave its colourful rival out in the cold, dark woods. Don't be put off just yet. On closer inspection, Mirror Mirror might just be the fairest of them all: an utterly delightful and faithful re-telling of the classic fairytale – a dazzling treat for the eyes from start to finish.