Latest

  • If 2019's Oscar-nominated movie posters told the truth

    Movie Feature | Ali Gray, Matt Looker, Becky Suter | 22nd January 2019

    You know the drill by now. Are you new here? Let's get this over with.

  • Review: Vice shows Dick Cheney as a man with few virtues and ohhh, I see what you did there

    Movie Review | Becky Suter | 21st January 2019

    My knowledge of Dick Cheney pretty much started and ended with knowing him as the veep who shot a guy in the face whilst on a hunting trip. Had I bothered to actually watch all of The Daily Show with Jon Stewart episodes I've recorded over the years, I would have known that Cheney has always been the dark heart of American politics; a man rotten to his very core, which itself is a tiny black hole from which no joy or light can escape, who's been haunting the White House long before President Trump gleefully served McNugget BBQ sauce out of the Lincoln silver gravy boats to those footballers. Luckily, Adam McKay is here again to distil complex information to dummies like me, although newsflash - the political system is like, totally corrupt, you guys.

  • Review: Glass is a fragile follow-up with wasted promise

    Movie Review | Matt Looker | 17th January 2019

    No one knows the importance of a good ending like M. Night Shyamalan. He has built his entire career on them. He knows that many film flaws can be forgiven along the way if, right before the credits roll, he can suddenly wow an audience so that they leave only talking about that ending. It’s a circus approach to storytelling, saving the big top narrative stunt for the final act, but it works. In the case of Split - an otherwise divisive film - it worked so well that the ending itself manifested a whole sequel. But no one should be in any doubt that it’s a cheat. A big last-minute reveal teasing a forthcoming crossover might be an original way to have a shock twist, but it doesn’t automatically make for a good ending to what came before it. Just as it doesn’t automatically make for a good beginning for what comes next.

  • Marvel's Cine-CHAT-ic Universe: Iron Man 3 (2013)

    Movie Feature | Matt Looker, Ali Gray, Becky Suter, Luke Whiston, Ed Williamson | 14th January 2019

    It’s the first film of Phase 2, the last film of the Iron Man series, the seventh film of the MCU and now the latest reason for us to email each other again rather than just use WhatsApp or Snapchat or text like any other cool kids with smartphones and stuff. Oh shit, no one texts any more, do they? Gah, why am I so old?

  • Review: Colette is the literary period drama biopic that 2019 needs right now

    Movie Review | Matt Looker | 9th January 2019

    Did you know that Keira Knightley hasn’t appeared in a single film that’s set in the present day since Love Actually? Now, that isn’t remotely true, but it feels like it could be, doesn’t it? For most of her career, Knightley has been marked out as the go-to lead actress in Brit period dramas, even though her résumé includes recent memorable ‘modern’ roles such as those in um… Collateral Beauty, Jack Ryan: Shadow Recruit and, well, Red Nose Day Actually. If ever you worried that favouring stuffy corseted roles means that Knightley struggles to stay as relevant as she would be if she played, for example, a kick-ass assassin, a Transformer or Thor, then you’d be wrong. Colette proves that a period biopic can still offer a refreshingly modern story that’s surprisingly pertinent for these times. And – probably through no coincidence – it is Knightley’s best performance in years.

  • Top 20 movie scenes of 2018

    Movie Feature | Ali Gray | 30th December 2018

    Look, we just woke up and realised it was New Year's Eve and thought, shit, we'd better mark the end of the year for some reason, so here's a round-up of our favourite bits of scenes of films that happened in 2018, accompanied by pictures featuring very big numbers denoting their position. If you need further explanation of this concept then please send me a stamped and addressed envelope. Good bye.

  • Interview: Oh look, it's Olivia Colman

    Movie Feature | Ali Gray | 18th December 2018

    There's a slight chill in the air as I arrive at London's Dorchester Hotel at 8.55am on a grey November morning. I am directed to the Executive Suite on the fourth floor, where I'm told Olivia is having breakfast; I thank the friendly PR and make my way into the extravagant dining suite, where all manner of jams, marmalades and pastries are laid out alongside eight blends of coffee. Colman is sitting eating alone, and when she sees me she stands up, smiles and greets me warmly, the sun refracting off the room's chandelier, lighting her up like a true movie star from the Golden Age.

    None of this is true, of course, because my interview with Olivia was conducted over email, but I've always wanted to write one of those wanky GQ interview intros where the writer fills up his word count with about a thousand words comparing his subject to an ancient Aztec princess or Anne of Cleves or some shit.

  • The Apprentice: season 14, episode 12 recap: "High Nut Content"

    TV Feature | Ed Williamson | 18th December 2018

    It's drawing to its close and we're all better people: informed, educated and entertained. Let's build on this experience and learn to live together in harmony, then burn the world in a big skip.

  • The Apprentice: season 14, episode 11 recap: "Pretty Big Deal in Peterborough"

    TV Feature | Becky Suter | 13th December 2018

    Well, that was a big fuss over nothing. I give a vote of no confidence in delaying The Apprentice by ten minutes and totally messing up my dinner plans. I was hoping to see Theresa May saying "Thank you for the opportunity" before walking out of No.10 with her wheelie suitcase.

  • The Apprentice: season 14, episode 10 recap: "Work, Rest and Play"

    TV Feature | Becky Suter | 8th December 2018

    I feel about Christmas the same way John Oliver feels about New Year: both are like the death of a pet - you know it's coming, but nothing can quite prepare you for how awful it is. The same can be said for the latter stages of The Apprentice.