Eddie Redmayne

News, Reviews & Features

Review: The Aeronauts is an uplifting ode to the spirit of discovery

Movie Review | Luke Whiston | 26th March 2020

There's something compelling about a singular premise. Gravity and The Martian both made good use of theirs, squeezing every second of tension out of a sequence of continually escalating nightmare scenarios, all in service of one outcome. What those films have in common are protagonists who want to survive not just through a desire to see their efforts validated, but also as avatars of a very human need to prove we can overcome the challenges of nature as a species able to shape the world around us. It's affecting, connective stuff, and rings true on a fundamental level. But whereas Matt Damon's character in The Martian mostly concerned himself with potatoes, if I've learnt anything from The Aeronauts it's to always carry a knife.

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Fantastic Beasts And Where To Find Them

Movie Review | Matt Looker | 6th December 2016

At a time when every superhero, toy, 80s cartoon character, board game and emoji are fighting for enough space at the box office to create their own movie 'universe', J.K. Rowling's work is already done. Her wizarding world of Harry Potter is well established and still ripe for further exploration, which is pretty much the perfect environment in which to churn out money-making tie-in movies of lesser returns. And yet, instead, a far greater challenge has been undertaken: birthing an entirely new franchise of films set within the same universe. Somehow, audiences are going to have to get invested in a new story that - we can assume - will never be as important as the one we have already seen. So those beasts had better be pretty bloody fantastic.

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The Danish Girl

Movie Review | Matt Looker | 3rd January 2016

Put down the plastic lightsabers and sweep the Kylo Ren and Captain Phasma toy figures from your desks. Unfortunately, we can no longer simply indulge in the delightfully familiar screech of a new TIE Fighter, or marvel at the warm, welcoming visual hug of grizzled wookiee hair. No, now we have to consider character arcs and nuanced acting and fucking lighting, because there's no escaping it: awards season is all we have for the next couple of months. So let’s try to move on from Star Wars if we can. I know it is still all anyone is talking about and it looks set to be the highest grossing movie of all time, etc, etc but let's try to refrain from thinking about it at all for now and instead talk about Eddie Redmayne’s er… new hope for Oscar success.

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Jupiter Ascending

Movie Review | Matt Looker | 6th February 2015

There’s no excuse for actively willing a film to fail, but sometimes it just seems written in the stars – when all the planets align for a colossal mess of galactic proportions – and, in that instance, all you can do is hope that the film is so ludicrous in its concept and execution that it becomes that rare creation: a film so unintentionally hilarious, it provides the funniest movie experience of the year. With Channing Tatum’s Spock ears and gravity roller skates, Eddie Redmayne playing a raspy villainous fopp and Sean Bean playing a half-man-half-bee (oh yes), it seemed that Jupiter Ascending couldn’t fail to fail.

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The Theory Of Everything

Movie Review | Rob Young | 31st December 2014

Stephen Hawking is brilliant, isn't he? He’s perhaps the world's greatest mind, he's been immortalised in The Simpsons and millions have read his book A Brief History Of Time. And millions more have lied about reading it. He truly is remarkable; it's about time someone made a worthwhile biopic about the man's extraordinary life. Granted, I didn't see Benedict Cumberbatch's 2004 TV film Hawking but really, who did? And who remembers it? Apart from me. Just then.

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Les Misérables

Movie Review | Ali | 10th January 2013

Let me tell you straight off, I'm not really a 'theatre person'. I'm exactly the sort of philistine who would probably walk out of a matinee showing of The Mousetrap at The Windmill if the concessions stand was closed. The last thing I saw in a theatre was Spider-Man: Turn Off The Dark. The time before that was The Woman In Black, but only because I knew it was considered exciting enough to be made into a film. The time before that was probably Garfield: Live!, although to my credit, I was about six at the time (even so, I still remember being terrified of Garfield's perennially glassy, non-blinking eyes and fixed, rictus grin. Maybe I caught him on a Monday).

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