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Well done, Leo. After 25 years in the industry and 6 nominations, you have finally won an Oscar, and all it took was an epic feat of endurance, a disgusting loss of dignity and an entire internet's worth of pity.
Poor Oscarless Leo. Just imagine the soul-crushing frustration that must come after enduring unimaginable feats of survival in the making of this film, only for everyone instead to talk about the (false) rumour that you get raped by a bear in it. Imagine having the fortitude of character to eat raw bison liver and climb inside a dead animal carcass for the sake of your art and then have all your efforts overshadowed by the collective public thinking that, at one point in the movie, a horny grizzly surprises you with a sexual ambush. And the worst part is, with all attention on that ridiculous story instead of Leo's dedication to his performance, it might actually cost him the Oscar. That bear might just end up fucking Leo after all.
I've always considered the post-film discussion as much a part of the movie-going experience as the actual movie: the initial splurge of reactions, the best bits, the rubbish bits, the standout moments. Inception, with its pre-credits wobbly ambiguity, practically invites a discourse on its finer points, and those discussions are still ongoing today. I consider this to be the best blockbuster of the decade so far and one of the most rewarding works of science-fiction in modern memory. More movies need to be like Inception - Ali.
Posted by Ali Gray
at 15:00 on 17 Jan 2014
When was the last time you saw a three-hour movie that didn't once make you check your watch? When was the last time you saw a three-hour movie that didn't sag with its own self-importance? When was the last time you saw a three-hour movie that featured Jonah Hill masturbating at a pool party? Unless you have recently watched Martin Scorsese's The Wolf Of Wall Street, the answer is probably, hopefully, 'never'. In a time where the phrase 'awards season' has come to mean a deluge of desperately worthy, transparent, over-long Oscar-grabs, Scorsese is only interested in the best of excess – for a cautionary tale of a corrosive lifestyle, The Wolf Of Wall Street is surprisingly, shamelessly and consistently entertaining from beginning to end.
Posted by Ali
at 07:30 on 18 Jun 2013
Leonardo DiCaprio and Martin Scorsese! The 80s and bankers! Kanye and trailers! The Wolf Of Wall Street teaser
is a combination of many fine things. But above all else, it is absolutely cram-packed with giffable Leo moments. I present to you the Leo DiCaprio Wolf Of Wall Street Gif Wall. Don't let history forget this moment.
Posted by Matt
at 23:30 on 19 May 2013
If you could attend any party hosted by a Hollywood director, you'd want it to be Baz Luhrmann's, wouldn't you? I reckon he just beats out J.J. Abrams' cosplay event in the fun stakes, and you'd certainly want to avoid the intimate get-together round Lars Von Trier's house (*shudder*). Luhrmann clearly knows how to pull out all the stops - as evidenced in the ridiculously extravagant Gatsby gatherings here. The problem with this film, however, is that once we've seen one magnificently ostentatious evening, everything after fails to live up to the spectacle. Luhrmann basically invites us to the world's greatest party, but it's one that slowly sours over the course of the following two hours. At least James Cameron's uncompromising pool party would be consistent.
"He thought there'd be more pink ones," a source confirmed.
Posted by Ali
at 21:20 on 05 Apr 2013
Baz Luhrmann: master of subtlety.
But he is playing him in Scary Movie 5. Good casting, says I. (IMDB).
Posted by Ali
at 17:00 on 04 Mar 2013
I've seen Django Unchained twice now. After the second viewing, I looked back through the notes I'd made after the first, and realised that most of them were now useless. As with a lot of Quentin Tarantino's work, it takes more than one watch to fully form an opinion, but in this case I'd changed my mind almost entirely. I read back through them, crossing out complaints regarding its lengthy, meandering scenes and its jarring refusal to end at its obvious conclusion. But I understand these things better now for what they are: exercises in character development that make this one of its author's richest and most engaging works.