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Posted by Ali Gray
at 07:00 on 29 Aug 2017
As a film fan, I often wonder what the best films are. Which ones are best? Which ones do people like? Are some films more liked than others? You have to admit, it's interesting. Films, I mean. Some are great, but others are just brilliant. Some are bad but most are okay. It's a wide spectrum. But what if there was some sort of ranking of the films? In order of quality. That's what I'm going to try right now. What are the best movies? Let's find out. What are the best ones. (Films)?
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I don't want to write off an entire category of cinema, but... war films. They can be a bit heavy-going, can't they? Yes, there are some amazing standouts in this crowded genre, but it can be really hard to muster up the enthusiasm to watch a movie depicting the experience of war, which is basically: it's truly horrifying when not intensely boring. Luckily, things are different this time round, because a) Christoper Nolan films have never not been great, b) it's mercifully short at under two hours, and c) maybe there'll be a twist and the soldiers of Dunkirk will get rescued by Batman?
Critics are already calling it "Inception meets Space Jam".
Posted by Ali Gray
at 23:30 on 10 Nov 2014
Listicles! They're terrible. As everyone else concentrates on the important matter of ranking Christopher Nolan's films into an entirely arbitrary order - yes, all nine
of them - we thought it would be more suited to the themes of Interstellar if we hopped through a wormhole to rank the films of alternate universe Christopher Nolan.
Posted by Ali Gray
at 00:30 on 05 Nov 2014
As long as Christopher Nolan continues to exist, do we really need Steven Spielberg any more? Ol' King Noles is doing a darn fine job of delivering mega-bucks events movies with small and personal stories at the core; gigantic, universe-expanding motion pictures anchored by daddy issues, the kind which Beardo used to smash out on a regular basis. Interstellar is the latest Chris Nolan project to take a leaf out of Spielberg's playbook - once upon a time it was a Steven Spielberg project after all - and it bears the hallmarks of both directors: it's an ambitious, challenging sci-fi that takes one small step for blockbuster cinema but ultimately remains accessible to all. All the talk of Kubrick and 2001 is light years off the mark: Interstellar is the kind of space odyssey that has only shameless, monolothic entertainment on the agenda.
I've always considered the post-film discussion as much a part of the movie-going experience as the actual movie: the initial splurge of reactions, the best bits, the rubbish bits, the standout moments. Inception, with its pre-credits wobbly ambiguity, practically invites a discourse on its finer points, and those discussions are still ongoing today. I consider this to be the best blockbuster of the decade so far and one of the most rewarding works of science-fiction in modern memory. More movies need to be like Inception - Ali.
Three years later and someone is still trying to 'solve' Inception.
Posted by Ali
at 01:20 on 20 Jul 2012
Me, I've always been a fan of Christopher Nolan more than I have Batman. Don't get me wrong, I was wowed by the reinvention of Batman Begins
and the wallop of The Dark Knight
, but I'll always choose the sleight-of-hand of The Prestige or the cerebral jolt of Inception
given the choice. The Dark Knight Rises is a stunning piece of work, gigantic in scale with hugely ambitious themes, but Nolan's contribution to the Batman legacy – and indeed the superhero genre as a whole – is to make these films more about the men behind the masks than the heroes they portray: the guys who make the magic happen.