Elizabeth Debicki

News, Reviews & Features
  • Review: Widows delivers an effective, grief-stricken social drama with thrills

    Movie Review | Matt Looker | 16th October 2018

    Steve McQueen’s dramatically weighty take on the heist movie genre starts with a blistering opening scene. We see masked robbers fleeing their crime mid-pursuit, but only from inside the back of their getaway van. With a fixed position looking out through the transit’s rear, its broken doors scraping and sparking on the road as police cars and traffic crash and pile-up in the trail of the gang’s escape, we cut to each of the members in moments of domesticity from earlier that day - Liam Neeson passionately kissing Viola Davis in bed, Jon Bernthal prodding at the black eye adorning Elizabeth Debicki’s face, kisses goodbye, arguments in stores - until finally a chaotic shootout leaves the gang and their van exploded in flames. McQueen’s intent is clear: from the physical chaos on the roads to the emotional distress at home, these robbers are leaving a lot of devastation in their wake.

  • The Night Manager

    TV Review | Ed Williamson | 8th April 2016

    Dayman! Uhh-AHH-ahh! Fighter of the Night Manager! Is all I could think of when I heard the title. Then I found out it had House and Loki in it, and I was on board, although still mainly for the Dayman thing.

  • The Man From U.N.C.L.E.

    Movie Review | Matt Looker | 12th August 2015

    The action hero has come a long way since the 60s. Once calm, unobtainable specimens of perfection have gradually morphed into tough, emotionally closed anti-heroes, and then into testosterone-fuelled musclemen, and now they're flawed and troubled characters in touch with their - ugh - feelings. Superheroes are forever in search of their own life purpose (the clue is in the word 'superhero', guys), lone wolf cops have money worries, even Tom Cruise is now contractually obligated to have his character make at least one mistake in his movies. And James Bond cries now. He actually cries. So call it an adaptation, a rehash, another unoriginal concept in a Hollywoodland bereft of creativity, or whatever - The Man From U.N.C.L.E. is still one of the most refreshing action films you'll see this year.