Thor

News, Reviews & Features
  • Review: Enola Holmes is an energetic romp that runs out of steam

    Movie Review | Luke Whiston | 10th October 2020

    English people sound one of three ways in Hollywood films: grubby urchin begging for a crumb of bread, Hugh Grant being wanked off by a malfunctioning robot, and Sherlock Holmes. Having been an English person for nearly forty years and travelled most of the country, I have never met a single person who sounds like any of them. Obviously I'm not tossing off enough floppy toffs. But just because we don't sound that way doesn't mean we don't think like it - which I'm about to handily prove by adopting my finest Sherlock big posho internal monologue for a review of Enola Holmes, what what!

  • Review: The Babysitter: Killer Queen is a sequel that's stuck in the past

    Movie Review | Luke Whiston | 27th September 2020

    I wasn't going to review The Babysitter: Killer Queen because it is a horribly bad film. But then I remembered that the world is in this sorry state because people aren't doing much to help each other out right now, and the film contains a good reason to do just that, even though it wasn't the intention of the filmmakers. So please consider this a PSA.

  • Review: The Aeronauts is an uplifting ode to the spirit of discovery

    Movie Review | Luke Whiston | 26th March 2020

    There's something compelling about a singular premise. Gravity and The Martian both made good use of theirs, squeezing every second of tension out of a sequence of continually escalating nightmare scenarios, all in service of one outcome. What those films have in common are protagonists who want to survive not just through a desire to see their efforts validated, but also as avatars of a very human need to prove we can overcome the challenges of nature as a species able to shape the world around us. It's affecting, connective stuff, and rings true on a fundamental level. But whereas Matt Damon's character in The Martian mostly concerned himself with potatoes, if I've learnt anything from The Aeronauts it's to always carry a knife.

  • Marvel's Cine-CHAT-ic Universe: Thor: The Dark World (2013)

    Movie Feature | Matt Looker, Ali Gray, Becky Suter, Luke Whiston, Ed Williamson | 11th February 2019

    You wouldn't think we could be less efficient in meeting our goals re: this recurring feature, but we managed it - please enjoy this torturous discussion on Thor: The Dark World, a chat which was called "uninspired" by one of its own members while he was still discussing it.

  • Marvel's Cine-CHAT-ic Universe: Thor (2011)

    Movie Feature | Matt Looker, Ali Gray, Becky Suter, Ed Williamson | 3rd September 2018

    Marvel's Cine-CHAT-ic Universe is back! After last covering Iron Man 2 back in... holy shit, November? It's been nearly a year? Ok, it's about time we brought this back to continue our efforts in discussing each of the MCU films in turn, now finishing before our NEW deadline of Avengers 4. That should be fine. Just fine. Quick, let's talk Thor!

  • All 154 characters from the Marvel Cinematic Universe, ranked

    Movie Feature | Ali Gray | 25th April 2018

    Avengers: Infinity War signals the end of the first 10 years of Marvel movies and over the past decade we've gotten know the countless characters that have resided within the Marvel Cinematic Universe more intimately than our own weekend lovers. How better to pay our respects to the extended Marvel family than by systematically ranking each notable character from the MCU, pitting them all against one another in an arbitrary internet Royal Rumble? Fight! Fight! Fight!

  • Avengers: Infinity War

    Movie Review | Matt Looker | 25th April 2018

    In every way that matters – and it matters in every way – Avengers: Infinity War is basically the biggest movie ever. Ten years in the making, producing some of the highest grossing films on record and some of the most recognisable characters and franchises in the world, it’s astonishing that this climactic crossover event combining all of them in one big-screen adventure is even possible. What’s more astonishing is that it somehow meets every single impossible expectation you have for it.

  • Thor: Ragnarok

    Movie Review | Matt Looker | 19th October 2017

    There’s a lot that could be said about Taika Waititi being hired at this stage of the MCU. Is it a risk to give a giant special effects blockbuster property like Thor to a director known for off-kilter, low-budget comedies? Is it merely a cynical move in an attempt to mimic the quirkiness of the hugely successful Guardians Of The Galaxy films? Can a unique creative tone even shine through within the confines of the strict Marvel model? And does Waititi’s brand of humour even translate to the big-budget world of EXCEPT IT TOTALLY FUCKING DOES AND YOU CAN FORGET ALL THESE THINGS BECAUSE THIS FILM IS SO MUCH FUN.

  • Bad Santa 2

    Movie Review | Matt Looker | 28th November 2016

    When a film is deliberately trying to outrage, does that make it more acceptable? Is bad taste really just a matter of taste? Is it problematic that the IMDB Parents Guide for Bad Santa 2 lists warnings for violence, alcohol/drugs/smoking, frightening/intense scenes and sex & nudity (“There are close-ups of genitalia featured, but they are contextually justified”), but says nothing about the overtones of misogyny, racism and whatever you call being rude about little people? Surely it’s this kind of selective oversight that makes this a world in which Trump can become president. (*evacuates the area from the topical bombshell he just dropped*)

  • Author: The JT LeRoy Story

    Movie Review | Matt Looker | 8th July 2016

    Watching this fascinating documentary about a celebrity/literary scandal that unraveled in the media in 2005, it struck me that this is really something I should already know about. It's astonishing that the high-profile hoax at the centre of this film, which connected - and fooled - so many famous names across film and music, managed to happen at all, but the real miscarriage of justice here is that apparently I have been completely unaware of it until now. Was I more ignorant of the literary world and of pop culture in general than I thought? It seems unlikely. Regardless though, it's probably fair to say that going into this film entirely 'blind' makes for a more incredulous (and therefore more rewarding) experience.