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"Men are like buses," says the Bridget Jones's Baby advert on the side of the ones currently making their way through school run-gridlock, possibly because we're awful and stained with last night's food and can't be relied on to turn up. Bridget's choices were often bad over the first two films, but the scripts usually ignored the fact that her men were worse. Three films in, the franchise seems to have caught up and started rewarding her.
Posted by Ali Gray
at 16:00 on 26 Jan 2015
Imagine an alternate universe, one in which producers Barbara Broccoli and Michael G Wilson decided to reboot 007 using not the ruthless thuggery of Timothy Dalton or the brutish charm of Sean Connery as the Bond blueprint, instead opting to use the far-fetched, OTT antics of Roger Moore as the template. Ludicrous gadgets. Comic-book acting. Tongue rammed in cheek so deep all dialogue is in danger of being spoken with a lisp. Congratulations! You've just stumbled on the formula that could well have led to the creation of Kingsman: The Secret Service (it could've, if you didn't already know it was based on the book by Mark Millar).
At one point during Before I Go to Sleep, I convinced myself that I too had anterograde amnesia; like Nicole Kidman's character Christine, sometimes my mind would wipe the previous day's events from my brain. However, I quickly realised the link between my memory loss and how many whisky cocktails I'd consumed the night before (hashtag legend) and so, panic over. Much like a whisky-induced hangover though, Before I Go to Sleep will also make you struggle to fill in the blanks with an increasing sense of dread. Hopefully with a bit less sick.
Tragically Britain's last line of defence against inter-dimensional monsters was destroyed in the Battle Of Hyde Park, but was heard to mutter "Kaiju, I was properly humbled" as it sank to the bottom of the Serpentine. (ITV)
Posted by Neil
at 13:50 on 08 Jul 2013
Posted by Matt
at 20:30 on 13 Sep 2011
As much as I would like to believe that real-life spies jet around the world using their blow-dart pens and laser watches to prevent megalomaniacs from stealing Fiji, this film is probably closer to the truth. John Le Carré’s double agent vision (based on his own experiences working for the intelligence services) tells a less dynamic tale of political decisions, uneasy alliances and lots of sizing people up. And instead of a simple mission involving a casino, a volcano lair and a henchmen fight, this authentic spy-work is complicated as fuck
Posted by Ali
at 15:41 on 28 Feb 2011
In case you hadn't noticed.
Posted by Ali
at 19:01 on 09 Jan 2011
Early January release date... esteemed British cast... wartime setting... There's a very good chance that The King's Speech might be the most Bafta-iest movie ever made. It's tailor made to appeal to lovers of classic British cinema and contains all the elements needed to have the British film industry falling over each other to praise it.
Posted by Anna
at 22:35 on 16 Feb 2010
Did everyone in the 1960s walk around with perfectly bouffanted hair, expertly lined eyes, a martini glass poised in one hand and a cigarette hanging artfully from the other, chattering about the Cuban missile crisis? We, the modern audience, would like to think so and Tom Ford is only too happy to indulge us. Consequently, A Single Man has an unreal, dreamlike quality to it - this is life through a Vaseline smeared lens, the 1960s as seen in a vintage Vogue magazine.
Posted by Rob
at 23:12 on 16 Nov 2009
A Christmas Carol is one of the most well-known and much-loved stories of all time - a story that's been adapted so many times that it's hard to get particularly excited about a fresh take. So, when it was announced that Robert Zemeckis was going to make yet another version, using the same motion-capture technology he used with The Polar Express and Beowulf, it registered with a tremendous meh. A Christmas Carol without the Muppets just doesn't seem right.
Posted by Matt
at 21:53 on 10 Sep 2009
When Oscar Wilde wasn't declaring his own genius, others did it for him. They still do; the catalogue of his works is considered essential for literary study. What's surprising then about this big screen adaptation of his only novel, A Picture of Dorian Gray, is the liberty taken with the source material.