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Review: Birds Of Prey is the fantabulous desperation of one Harley Quinn

Movie Review | Matt Looker | 17th February 2020

There’s no denying that the Joker is a truly iconic figure. Whether it’s Joaquin Phoenix’s fragile psychopath, Heath Ledger’s cruel anarchist or Cesar Romero’s painted moustache, the character of the Joker is an indelible legend of pop culture. But you wouldn’t want to hang out with him, would you? Imagine all the whoopee cushions and hand buzzers and all that endless itching powder. He’s just a terrible try-hard, isn’t he? So it’s probably apt that this film, which is primarily focused on his sudden absence from Harley Quinn’s life, tries to fill his void by being just as eager to entertain. It’s packed with colourful chaos, wacky narrative devices and fun, so much fun. But just like the Joker’s constant giggling, it also feels a little bit forced. Why so weary-ous, Harley Quinn?

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Review: Horse Girl opts for style over substance, but it's a close-run race

Movie Review | Luke Whiston | 12th February 2020

If making lots of one thing is an objective measure of goodness, then Netflix are really good at these thrillers where the protagonist is having a tough time clinging on to reality. Yes I know sometimes they just buy the distribution righ- ...hang on, this is my intro to Earthquake Bird. Ok, well as broadly similar as Horse Girl is to all those other films, there are a few things setting it apart worth talking about. So let's saddle up pardner and giddy on up to the re-he-view! *yeehaws on chair in Costa, falls off, breaks pensioner's hip*

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Review: Uncut Gems is an anxiety attack in film form

Movie Review | Luke Whiston | 7th February 2020

What's the worst lie you've ever told? Let me rephrase that: what's the worst lie you've ever told and got away with? Congratulations! From the synapses snapping away to bring your consciousness to life, to the cells in the blood pumped around your veins, to the atoms in your DNA, and all the stardust delivered on a rock from a galaxy far, far away embedded in your primeval history, that deception is now a part of what makes you uniquely you. So was it worth it?

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Spinning a yarn: the twisted sickness of Phantom Thread

Movie Feature | Luke Whiston | 4th February 2020

"Wuaghhhurg" - that's the exact noise I made towards the end of Paul Thomas Anderson's 2017 period romance about a genius dressmaker and his ingenues, which to all external appearances was the simple tale of a sexy rich gentleman misogynist and the women falling prey to his sexy rich charms, set against the backdrop of a Brexiteer's image of 1950s London. I didn't know how wrong I'd be. And it doesn't mean anything that I'd mixed up Phantom Thread with In Fabric and was expecting some spooky ghost action. Although there are hauntings in this, just not of the chain-rattling variety.

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Review: The Two Popes entertains, occasionally enlightens

Movie Review | Luke Whiston | 15th January 2020

They're just two normal fellas, these guys. Sure they live in gigantic palaces and take part in rituals affecting the lives of millions of people based on doctrines written hundreds of years ago in the belief a giant bearded ghost man watches everything you do in the bathroom, but they like a pint just like you and I. Who cares if you're expected to bow and kiss their ring to show respect else you'll go to hell if they like to watch the big match? They're just two normal fellas. Two normal fellas in charge of a 2000-year-old nonce festival.

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If 2020's Oscar-nominated movie posters told the truth

Movie Feature | Ali Gray, Becky Suter, Matt Looker | 13th January 2020

It's the tenth annual iteration of what's fast becoming our only feature - that's right, it's time for another round of 'If Movie Posters Told The Truth' with me, your increasingly cynical host! We'll be right back after these messages!

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Review: Weathering With You is a big warm hug coming in from the east

Movie Review | Becky Suter | 10th January 2020

Three years ago, Makoto Shinkai’s wondrous debut Your Name was the 19th reason why 2016 didn’t totally suck. Life’s not really improved much since then, but at least the Japanese director has returned with a meteorological meet-cute that builds on what was so lovely about his first feature, and also crafts its own unique identity. As in Your Name, two teens come together against the backdrop of a natural disaster, and then have to contend with destiny conspiring to pull them apart, come rain or shine.

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Review: Marriage Story battles for the high ground but risks sanctimony

Movie Review | Luke Whiston | 31st December 2019

Relationships are weird. You come to them as a pair of individuals, both trying to find common threads while maintaining individuality. Then you move in together and over time adjust to each other's idiosyncrasies, forming new habits based on a shared life, until one day you realise you're a completely different person. Later if you decide to wave goodbye to sleep for about fifteen years by having children it adds an adorable layer of walking on eggshells to proceedings. The only way to really make it work is to be totally open about your thoughts and feelings - keeping secrets is just asking for trouble - so if/when things fall apart and you're held to account for your part in the failure you get to gloat over that deceitful snake (just kidding, honey - L for Love!).

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Review: Hail Satan? takes God-bothering to devilish new levels

Movie Review | Luke Whiston | 24th December 2019

I'm still not sure the subjects of Penny Lane's documentary Hail Satan? are taking themselves entirely seriously. But then again they've got nothing to lose, and everything to gain as they take their cause - recognition of The Satanic Temple as a valid religious entity - up against a system of governance entrenched with Christianity in America. Let's see how that goes shall we.

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Review: Star Wars: The Rise Of Skywalker is good, but conflicted

Movie Review | Matt Looker | 19th December 2019

There’s no denying that Star Wars: The Last Jedi created a massive disturbance in the force, as if a million voices suddenly cried out in entitled outrage and were suddenly empowered to act like total asshats on Twitter. All Rian Johnson really did was evolve his film beyond the tropes, cliches and traditions that have become the hallmarks of every episode in the saga until that point. Bury the past - or literally burn it down - and move on. Forget the old and make way for the new, otherwise how can there be any progress? After all, "we are," muses Yoda, "what they grow beyond". But if that proved a divisive move, then what JJ Abrams does with this final instalment is equally controversial: ignore that new approach entirely and return to the safe familiarity of the old template. There’s important plot development, of course, but it is housed within a return to the brand adherence and fan service that The Force Awakens originally offered. Skywalker rises, but Episode 9 of 9 simply stays on target.

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